FEBRUARY IS BLACK History month and the Market Theatre proudly touts this international commemorative energy with arguably one of black America’s most poignant hard-hitting plays. Written in 1959 at the height of racist issues of the time, A Raisin in the Sun compares unequivocally with Arthur Miller’s inestimable Death of […]
What is it that makes a theatre director muddy his own clarity of thought and compromise something utterly wise and moving, with quick and nasty literal gimmicks? Matsemela Manaka’s Egoli, first published in 1980, is a powerful paean to manhood and the collective challenges it faces, but this […]
I thought I dreamed it. I remember the words “Theatre is dead in SA” on a street pole advert in black type on a while background under the dark blue logo of a weekly national paper, a few days ago in Johannesburg. And I filed the recollection of […]
Very seldom does a piece of writing have the ability to reach into your heart and soul, not because you are strung along by your own inner realities and there’s a way in which you respond to the story, but because it is conceived and written and created […]
You are led into the space by a series of lit thick short candles, evocative of the memorial-imbued candles of Jewish tradition. You encounter a woman being washed by another, in a ritual context that is achingly intimate even though it is cast in the thick of audience […]
From the outset, before this rollicking monster of a production gets into its stride, the presence of the blood-stained wooden gate, the empty rubber boots and the cawing, mooing, snorting and barking in the sound track, lend Neil Coppen’s Animal Farm its inimitable tone. It’s very dark. It’s […]
It’s relatively easy to glamourise the 1950s. The fashions are beautiful and dignified. The architecture is poetic. The times were ripe with sex and possibilities: the world was on its knees after two major wars, and the cultural pendulum was swinging back: anything was possible. Truth be told, […]
With a hefty dollop of Beckett, some irrepressible clowning and a simple bittersweet tale peppered with absurdities, kangaroos and chameleons, not to mention an extraordinary set that comprises the skull of a gnu, a plastic shopping trolley and doodads that will make you laugh and cry, Andrew Buckland […]
“Compressor Pump” we used to call him, behind our hands, behind his back. Nasty caricatures were drawn of him on toilet doors and in the margins of lecture notes: a man with a big stomach, his nose in the air, a red face. He was the king. We […]
Just when you think you know who’s hot and who’s not in contemporary dance, just when you’re catching your breath after Dance Umbrella, there comes a showcase work so utterly perfect, that all the parameters shift and you’re privileged to see the bar being raised again. Lulu Mlangeni […]
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