Very seldom does a piece of writing have the ability to reach into your heart and soul, not because you are strung along by your own inner realities and there’s a way in which you respond to the story, but because it is conceived and written and created with such wisdom and power that it sucks you into its reality. And leaves you changed.
It is not every day that you can encounter as sophisticated a theatrical voice as that of Wessel Pretorius, in his immensely visceral, utterly magnificent production, Undone – or Ont, in Afrikaans (in different performances, the main calibrating language of the work is either English or Afrikaans).
A young performer – he’s not yet 30 – and a relative newcomer to the professional stage, Pretorius conveys a tale of the loss of a parent that brings in everything from childhood nursery rhymes to driving lessons to the horror of witnessing a stroke and the sadness of a love that never has the courage to be articulated. It’s about the concatenation of age and youth and the manner in which empathy is faced with cruelty at every turn. The tale has the potency of William Faulkner’s As I lay dying, and the give and take between English and Afrikaans lends it a texture that you want to consume and embody and hold onto and not allow yourself to forget it, it is so rich and magnetic.
It begins with the young man bathing in a tin bath. There’s a candid bareness about everything, from the soap and the well-thumbed poetry book on the floor, alongside his teacup and cigarette, to the suitcase and the record player that constitute the whole theatrical ensemble. Pretorius has a stage presence that is nothing short of mesmerising: yes, there’s nudity in this work, but the manner in which the play evolves and is constructed and the finesse and muscularity with which it is delivered is such that the nudity slips out of relevance or notice.
The texture of the play’s script digresses and caresses the language and its meaning without becoming maudlin. It’s an angry play, which has moments of dark humour as it embraces belly-deep sadness, with the whimsical rhythm of comforting children’s poems that ensnare you in a magnificently subtle mix of values, good and bad, complicated and simple, transient and permanent.
Undone is the kind of play that celebrates Afrikaans culture for its inherent beauty, but doesn’t flinch from exposing such deep ugliness in social interaction that it touches on all the emotions, from humour to tragedy. Unforgettably. If you see one play, in your life, make it this one. And, remember the name Wessel Pretorius.
- Undone/Ont is written, directed and performed by Wessel Pretorius, features translation by Hennie van Greunen and lighting and set design by Alfred Rietmann. It performs at the Barney Simon Theatre, Market Theatre complex in Newtown, until September 20. Call 0118321641 or visit co.za
Categories: Review, Robyn Sassen, Theatre
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The rightness of a thing isn’t determined by the amount of courage it takes – Mary Renault, novelist
Great review. Christina raved about it. Got to go see it. Starving for something that goes all the way to the guts.