Through seducing you into engaging with it, the exhibition places you in dialogue with its artworks. It constantly asks you, “What do you think?” There is an ever-present spirit of collaboration between curator and visitor, inside and outside, space and body, prompting new relationships of meaning to form, again, again.
From a giant toothbrush to a car tyre tutu, there’s a giraffe’s torso and a box from cremated ashes: the precious, the profane all in a beautiful conglomeration. There is respect both earnest and cynical paid to deceased mothers and representations of the horror of hate that leaves you queasy.
While LaFarge’s immersive book ‘Sting in the Tale’ (Doppelhouse Press 2021) doesn’t pretend to be comprehensive; it splits the fabric of what truth means when you are making art and allows this idea to stretch wide. Wider than you can believe. It challenges the values of education and truth. Scrumptiously.
IN HIS EXQUISITE 2008 tractate on death and dying, English writer Julian Barnes comments that just as every writer will have a last reader, so every grave will have a last visitor. South African artist Maria Pienaar takes this profound reflection a step further, contemplating the last viewer […]
IT IS NOT every day that an artist’s work can be contained by the conventional genres of still life, portraits and abstraction, but also by another almost invented genre: ‘Rembrandt’. The painter and arts writer, Marianne Meijer enjoyed a lifetime-long love affair with Rembrandt’s work, which brought darkness […]
SHE STANDS WITH the kind of poise that catches you in the throat, and once you’ve made contact with her eye, you cannot move on without feeling that something within you has changed. Is it in the sheer beauty of her coat, speckled by God himself? Or is […]
His was the story that changed the world’s understanding of the artist’s struggle. He yearned to, but failed to find love. He yearned to, but failed to make a conventional success of life. And at 37, died a pauper, alone. And then his work rocked the art world […]
DO YOU REMEMBER the cultural imperative in South Africa? The thing that you had to see, at all costs, whether it was an opera or an exhibition, a performance or an event? Kentridge’s The Head and the Load evokes this artistic urgency among South Africans, that is at […]
SHE WAS A feminist before it was fashionable, a French Impressionist born in Pennsylvania, a woman painter in a man’s world. She took intaglio printmaking by the horns and created arguably one of the world’s most valuable collections of images. This was Mary Cassatt. Her story Mary Cassatt: […]
DO YOU REMEMBER a time when the world was a different place culturally, and the careful curation of an exhibition could be allowed the time and energy of nine whole years in its inception? The Cézanne exhibition central to this Exhibitions on Screen documentary ticks all those glorious […]
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