A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
IN EPISODE FIVE of Martyn Le Roux’s serialised podcast tale, Die Soutwaterheks, (The Salt Water Witch), we find a very drunk Frans Baker (Francois Coertze). After a night of scepticism and belief, with his friends, recounting his weird experiences at the mysterious hands of the sea storm and […]
It was any woman’s absolute worst nightmare. And it was a story that rocked South Africa to its core. In April of 1997, Celeste Nurse gave birth to her first baby at Groote Schuur Hospital in Cape Town. A beautiful little girl. Amidst the blur of giving birth […]
A SHOW WITH a gleaming singer in tight sparkly lamé and a fur boa, her memories of the hardships and joys of a life on stage, and an accompanist on piano, sticking to the world’s best standards is not a novel idea. Toss the inimitable Kate Normington into […]
LOSS. IT’S SOMETHING that has characterised so much of our emotional landscape over the past two and a half years, and yet it’s so enormous and universal and specific and intimate that none of us are able to fully cast ourselves around what it means. It’s stupendous. And […]
THE CLASSIC THING that any self-respecting ordinary guy will do after witnessing something astonishing is to take it to his buddies in the bar, for a detailed post-mortem over a drink. This is exactly what happens in episode four of Martyn Le Roux’s serialised tale Die Soutwaterheks, (The […]
IT TAKES IMMENSE skill and maturity to know that the telling of a story filled with detail and drama, with interstices of horror and loss and replete with almost 60-year-old ghosts is done not with gimmicks and tricks, with big noise and flashing lights, but with an old […]
LISTEN TO THE first few lyrics of Sodade, a song written in the 1950s which was popularised and rose to meteoric cultural proportions in the early 1990s, and you will know exactly who Cesária Évora was – or at least, you will know her voice, which runs like […]
PICTURE THE SCENARIO. A performance of Gustav Mahler’s first symphony, the Titan, composed in 1888, is about to begin. The bassoonists stand poised, the trumpets in the wings. All due time hewn established pomp and ceremony is de rigueur; performers are in black. The audience is quiet, in […]
CONTEMPORARY RUSSIA. A land under the thumb of a relentless dictator. A land, seemingly on a crash course that might take the whole world with it. But what if you had the opportunity to shift that crash course? What if that opportunity came with the ultimate price tag? […]
THE THRILL OF taking a well-heeled classic for a spin on the contemporary circuit can be astonishing, if you are able to get under the skin of what makes it tick. And what has made it tick for hundreds of years. This is exactly what happens in Autumn […]
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