A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
WHAT WOULD YOU deem the most difficult job in the arts industry? Could it be running a busy top-flight gallery with the difficult egos that come of sensitive artists? Could it be being head honcho to an arts fund-raising initiative, where you have to make decisions and by […]
BORN TO FRENCH-SPEAKING parents, but committedly South African, theatre director, stage actor, film and tv personality, Sylvaine Strike is, according to the French Ambassador, His Excellency Christophe Farnaud, and the power invested in him, a bridge between the two cultures. He said this at a deeply moving, intimate […]
WHAT DO YOU do when the love of your life is swept away by a big old auntie with a fortune, a hazy tale of connection to her and all sorts of plans to marry her to someone else? Why, you ambush the property with no less than […]
FROM THE MOMENT you enter the space, you’re implicitly aware that the man whose work you are looking at is an utter maverick, one who is unafraid of cocking a snoot at everything from national earnestness to the discipline of art films. But that is not all: Samson […]
The business of being neither here nor there comes under the painterly and philosophical focus of Diana Page in her first exhibition in South Africa in several years. It’s the flipside of being out of South Africa and living in Turkey for over a decade, and there are […]
FRANCE IN THE 18th century, boasted, among other things, a Rococo thinking that cast a light-hearted hue at almost everything. The artist Jean-Baptiste Greuze was one of the painters of the era, popular for his saccharine images that teetered on the sexually taboo, with young girls mourning small […]
DON’T BE PUT off by Craig Smith’s characteristic light touch on his raw canvases in It’s Irrelevant, a solo exhibition of new works mounted at Galleri Kalashnikovv in Braamfontein. Similar to the thinking of American artist Cy Twombly, Smith negotiates space, gesture and chance in a way that […]
EVEN BEFORE YOU enter the space of Toni-Ann Ballenden’s show City of Gold: Cash for Scrap, in Gallery 2, you’re beset with a sense of playfulness that underpins an earnest idea of a plotted cityscape. There is an installation called Folly in the gallery’s window that speaks of […]
In 1943, a curious little book of stories about animals was published. Little Veld Folk was penned by one Cecil J. Shirley, it was aimed at a child readership, but its intense pen and ink drawings, particularly one about a bird who was vain, offers an edgy glance […]
THE ARCHITECTURAL DRAMA of the ramp and the entrance point to Circa gallery sets the tone for In/Dependence, a solo exhibition by Robert Slingsby, and the energy and force is carried through in a dramatic, intense installation, but there are elements of excess in the presentation and articulated […]
Geoff Sifrin
Robyn Sassen
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