DO YOU REMEMBER the cultural imperative in South Africa? The thing that you had to see, at all costs, whether it was an opera or an exhibition, a performance or an event? Kentridge’s The Head and the Load evokes this artistic urgency among South Africans, that is at […]
YOU MIGHT NEVER have thought of the sinew at the back of your knee as something to hang your whole body weight on. You might also never have contemplated the awkwardness of being in an elevator as a dance-making opportunity. The whirligig that is the human body is […]
SIT STILL FOR a moment and listen. If you are lucky enough to be in a place where birdsong reaches your ears before the angry rush of traffic, hold onto that. But try to hear what those birds are saying, and take heed. This is the nub of […]
LOSS. IT’S SOMETHING that has characterised so much of our emotional landscape over the past two and a half years, and yet it’s so enormous and universal and specific and intimate that none of us are able to fully cast ourselves around what it means. It’s stupendous. And […]
THE GROUND THAT you think is firm enough to hold you and your history and values may not be as solid or kind to you as you think. Or hope. It’s a concatenation of ghosts, of the detritus of dead buried there and of the messy issues associated […]
WHEN YOU KNOW, from the first few phrases of a book, that you are in good and powerful storytelling hands, the rest of the text sings beyond the confines of its pages. This is the kind of experience you can anticipate in Catherine Cole’s foray into South African […]
NON-BINARY SOUTH AFRICAN performance artist Dean Hutton has stood on the outside looking in, for most of their life. While this may be a horribly lonely position for a child, it is one of supreme potency for an artist at the summit of their personal, political and artistic […]
“BE READY FOR anything. Expect nothing!” was one of the unforgettable pearls offered by thespian Shirley Sacks to generations of performance students over a 33-year teaching career at the Tshwane University of Technology in Pretoria. Teaching in the creative arts is unquestionably a vocational blessing of the highest […]
THE IDEA OF writing a conventional tribute to Linda Givon, the founder of the Goodman Gallery, who died suddenly on 5 October 2020, at 84, seems trite. This is because she was much more than the pedestrian sum of her parts. She was born, educated, married, divorced, widowed. […]
IN THIS AGE of social media, Wikipedia and any and every other kind of dumbing down and shallowing out of real thought, the presence of Ashraf Jamal’s anthology of art essays, published by Skira in 2017 raises a middle finger to lazy thinking, sloppy writing and weak academic […]
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