GLOWING, YET UNDERSTATED magic comes of a particular kind of candid, descriptive writing that doesn’t stoop to sensationalism or bald self-promotion. You can find this in George Orwell’s domestic diaries, but you can also find it in Adam Riley’s Birds of South Africa. This current publication offers an […]
SHE’S LOOKING AT you peripherally, her face fierce and focused in profile, a pencil in her hand. She’s a woman who has waited her turn in a schoolroom in Kampala, Uganda. For generations. But she’s more than just a reflection of education and abandonment, of culture and sexism. […]
THE IDEA OF writing a conventional tribute to Linda Givon, the founder of the Goodman Gallery, who died suddenly on 5 October 2020, at 84, seems trite. This is because she was much more than the pedestrian sum of her parts. She was born, educated, married, divorced, widowed. […]
IN THIS AGE of social media, Wikipedia and any and every other kind of dumbing down and shallowing out of real thought, the presence of Ashraf Jamal’s anthology of art essays, published by Skira in 2017 raises a middle finger to lazy thinking, sloppy writing and weak academic […]
WHAT WOULD MAKE a man risk his life by balancing precariously on one hand with his legs above him, on a rain-soaked ledge of a building high above a city half covered by mist? That’s what acrobat Hans Prignitz did in 1948 in Hamburg, as a favour to […]
PHOTOGRAPHIC EXHIBITION REVIEW: IKHAYA LIKAYMOYA. A WOMAN’S FACE is drenched with baptismal fluid. Her expression is serene. Her eyes closed. Another woman holds her peer from behind, a call of fierceness on her lips, fervency in her posture. A child peeks solemnly through the fabric and drapery surrounding […]
HE’S EARNED HIS reputation – and several awards – as a fine art photographer, but Mikhael Subotzky has been smashing definitions throughout the trajectory of his career. This very large solo exhibition, entitled Massive Nerve Corpus at the Goodman Gallery in Johannesburg sees his thinking pointed in several […]
IF YOU REMEMBER the 1980 Jamie Uys film The Gods Must be Crazy or were taught a very simplistic understanding of San rock art in the grade 9 art syllabus, you will have a vague and superficial ability to recognise the complicated magic of Paul Weinberg’s voyages of […]
THE ARCHITECTURAL DRAMA of the ramp and the entrance point to Circa gallery sets the tone for In/Dependence, a solo exhibition by Robert Slingsby, and the energy and force is carried through in a dramatic, intense installation, but there are elements of excess in the presentation and articulated […]
THE ROOM IS deeply silent, but robustly populated. All eyes are focused on the speaker, who is out of your line of sight. In this 1989 photograph of a trade union meeting at the University of Cape Town, photographer Omar Badsha (b. 1945) peers with a clean mix […]
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