THE HORROR OF the sudden loss of a loved one – whether they are taken by death, a kidnapper or an impenetrable illness that robs their existence of reason – is a harsh idea to confront, onstage or off. In I turned away and she was gone, Jennie Reznek […]
WHEN 20 YEARS have elapsed after your first experience in the presence of true greatness, you might have forgotten the unequivocal brilliance that a work such as Ubu and the Truth Commission has brought to South African theatre. And indeed, more than 20 years on, the Truth and Reconciliation […]
SOMETIMES YOU MAY be so overwhelmed by the iconic status of the creative team behind a work that you might be blinded as to its merits or otherwise. The Dying Screams of the Moon written by Zakes Mda and directed by John Kani is an intriguing piece of […]
“DUMELANG”, HE SAYS, standing just inside the doorway, to the right. So does he, on the left of the doorway. But they both says it in such a gentle undertone that you only really register that they’re greeting you once you’ve passed them. This delicate opening gesture to the […]
FORTY YEARS AGO the Market Theatre was established in Johannesburg. It was the same year as the Soweto Uprising. South Africa was suppurating in a mire of apartheid, to the backdrop of sanctions, disinvestment and states of emergency. Terrible people were doing terrible things. This period was the incubator […]
HOW BEST DO you tell a story sullied and broken by trauma? Do you blurt it all out in one brutal shriek? Or do you give it context and framework? Do you make it circuitous? And funny? Joseph Heller did it. Alan Bleasdale did it. As did Luigi Pirandello. […]
A PLAY OF binaries and detritus, red wool and solar powered Consol glass, The Year of the Bicycle is a work that begins with the threat of too much whimsy. But then it reaches into the belly of its own sense of momentum and this abstract tale of the […]
AH, SOPHIATOWN. HOME and suburban melting pot of such a rich concatenation of frenetic, beautiful and terrible culture that forms the backbone of who we are as creative South Africans, striving for that precious riff or that elusive line of poetry to make us remember what matters. Ah, the […]
How well do you know your own history? Would you be able to talk to it under scary scrutiny by a cop with a past replete with anger? With this premise, playwright Mongiwekhaya makes his debut in a beautifully constructed piece of theatre which feels like the opening lines […]
It was Mary I of Scotland who first stated “in my end is my beginning”, a comment uttered on her imminent death, and her quest for immortality. It’s a strange and yet completely fitting starting point for this great monster of a dancework, choreographed by Sunnyboy Motau, which […]
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