Pillowman darkly brings together very difficult moral values. Without a clear sense of political context, the work is like a conventional police whodunnit with a good cop/bad cop motif. It’s also like an expose of a dictatorial regime. And finally it confronts Jewish and Chinese identity, mental disability and murder.
In ‘n Begin, written by David Eldridge and translated by Nico Scheepers, the picture of life for both Laura and Daniel is not what either of them were raised to believe it would be. Happily ever after and never again alone are myths they acknowledge, now in their late-30s/early 40s.
This play is about how broken ordinary things can have another life punctuated by different metaphors and idioms, because of their brokenness. It presents a set of values that also apply to broken people. It’s about the sensitive, beating nexus that makes a curious, maybe traumatised child into an artist.
Now in her sixties and not afraid to take hold of the world with both hands, Elzabe Zietsman’s revue comprises a mêlée of songs which she has penned and others she has moulded to fit South Africa’s unique levels of hypocrisy, hatred and hope, sometimes all in the same breath.
In the hands of one of South African theatre’s dream teams, this is a gem of a work. Job Kubatsi and Lebohang Motaung, in minor roles, give life to the bitter jokes that lubricated black society during the darkest days of apartheid, reminiscent of the bleak humour in Dostoevsky’s novels.
WE LIVE IN a world that would be unrecognisable to anyone of a previous generation. It’s a world where spite and malice can have legs that last forever and a tail that can destroy lives. Indeed, it’s a world where a silly gag can land a child with […]
THERE’S SOMETHING ABOUT a man at the tail end of a long career, who holds tight to his dignity and even tighter to his broken dreams. It’s a quality as much about tragedy and heroism as it is about vulnerability, and in the central role of John Kani’s […]
WHEN YOU WATCH a small child being exposed to the magic of theatre, you can believe in anything. Joyce Levinsohn, one of Johannesburg’s children’s theatre pioneers, understood this magic and this ability to believe, from the inside out. The founder of the city’s oldest traditional children’s theatre, she […]
Shorter than most, and the youngest of all, Portia Lebohang Mashigo came into the South African dance fraternity when she was just 14. Armed with an inherent sense of wisdom and focus, she grew up in the industry to be a giant of a dance professional. She died […]
DANCE REVIEW: CUT. AS THIS ALMOST 17-minute long video begins, you feel torsion in your gut. The layers of the kind of discomfort one experiences in lockdown are articulated in the impossibly, claustrophobic tight frames and how the dancer is from time to time rudely cut from his […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
Kapisha Ramraj
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments