Robyn Sassen
A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
HISTORY WILL TELL you the mandolin’s popularity has wavered. It played second fiddle to the fiddle. And when the guitar came into fashion, the mandolin was subject to design modifications, forcing it to take a path less travelled. But good stuff always rises to the surface: When the […]
WHAT IS IT that sews the fabric of a family together? It’s the laughter and the disappointments, it’s the shared sadnesses and the making and breaking of rules. And above all, it’s the language. Moedertaal (mother tongue) is a beautifully crafted Afrikaans slice of life, written – and […]
THE CHALLENGE OF telling a complicated story in bold brush strokes in such a way that detail and nuance are not part of the casualties is a stiff one. The creative team behind Molly’s Game has achieved almost the impossible with this finely honed piece of filmography that […]
TAKE TWO INTELLECTUALS with something to say, put them together and record, transcribe and publish their words. Effectively, this is what you get in Footnotes for the Panther, which sees William Kentridge chatting to his friend Denis Hirson about life, the universe, his art, the craft of writing […]
YOU MIGHT BE forgiven for thinking the Johannesburg Musical Society in association with the Johannesburg International Mozart Festival has somehow managed to bring out Meryl Streep to perform its first concert of the year. You’d be mistaken; Lithuanian pianist Mūza Rubackytė brings not only her classic facial features […]
THERE’S SOMETHING IRREVOCABLY escapist in an Agatha Christie murder mystery. Not for moral reasons, but for the sleight of hand, the twist in the tale and the characters that populate her stories. This remake of the 1974 classic film, featuring a host of enormous names, from Sean Connery […]
ART, ARGUABLY, CANNOT – or should not – feasibly exist without a difficult push and pull, on the part of its maker and its audience. Something has to give that forces an image to trip the light fantastic and become more than just a drawing on a piece […]
WHAT IS THE worst thing that can happen to a story about an historical atrocity? That it can be shunned? That it can be told too infrequently? That no one wants to experience it? None of these: the worst thing that can happen to a tale of atrocity […]
FOUR FIERCE BLACK women toss caution and values to the wind in this carefully crafted take on hypocrisy, the culture of mourning and too much sugar in the African diet. Laced with political barbs and advocacy ciphers, the work is funny and crass, moving and evolved and little […]
CRUELTY, HUNTING, MAKING money and having fun at anyone’s expense are some of the values central to Beatriz at Dinner. Others take a holistic, meditative line. Told with clarity, it is a film that is grown up in sense of balance and of narrative. Astonishingly fine performances by […]
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