WHAT IS THE worst thing that can happen to a story about an historical atrocity? That it can be shunned? That it can be told too infrequently? That no one wants to experience it? None of these: the worst thing that can happen to a tale of atrocity is that it is told and retold and retold until its fire is dimmed by commonplace. Film maker Johnathan Andrews steps with sensitive wisdom around these pitfalls, to create something timeless and haunting in just 48 minutes.
Using direct personal interviews, with Lina Amato, the woman herself, who as an eight-year-old, knew that her life was being saved by the Turkish consul of the time, The Story of Holocaust Survivor Lina Amato contains no visual clichés of mass destruction or concentration camps. It has no voiceover, explaining the nature of the work, and attempting to frame and curate your response to it. There are no easy cues to weep. Rather, in a similar filmic understanding as that propagated by Claude Lanzmann in his immense and iconic extrapolation of the Holocaust, a over 10-hour-long documentary called Shoah (1985), Andrews offers his viewers insight into the intricacies and the horror of Lina Amato’s true story.
Currently resident in Cape Town, Amato is today a woman in her 80s. She speaks of the cultural wealth of her life in Rhodes Island, off the Turkish coastline where she was born in 1936. It’s a story that features interjections by SA Holocaust and Genocide Foundation director, Richard Freedman, which offers clear facts that give you context: War was approaching with a cloak of hatred that was to envelop even the smallest of little children.
But under that pall of destruction, enormous empathy was allowed to bubble and manifest in ways that a peaceful society could not contain. Lina tells of her parents’ Italian neighbours who adopted her and taught her to ‘be’ Christian in order to save her life. She tells of the decisions taken by the Turkish consol, Selahattin Ülkümen in 1944 to save whichever Jewish lives he could and of how an island “bathed in sunshine” and home to a tiny community of 3 800 Jews turned into a nightmare of uncertainty. Above all, it is the tough silences in her story that speak more deeply.
Further to this, music is threaded through the tale. Lina’s mother was a piano teacher, and her struggle to save her pianos is potent and legendary, making you think of Sophie’s Choice in the unforgettable story by William Styron. And this, together with a beautifully placed spot of Chopin – by way of his Prelude in A — hooks the film to the Mozart Festival’s focus.
It’s an absolutely beautiful piece of film, which, lasting but 48 minutes, offers a rich and deep understanding of the power of hate, but also the power of love in a world that has lost its moral compass. Further to all of this, the intelligent editorial decisions informing this film present understandings of the psychological effects of trauma, abandonment and guilt that are devastatingly potent in their understated handling.
- The Story of Holocaust Survivor Lina Amato is directed by Johnathan Andrews and features Holocaust survivor Lina Kantor (Amato), SA Holocaust and Genocide Foundation Director Richard Freedman and Turkish Ambassador in South Africa Elif Çomoğlu Ülgen. Produced by (assistant) Angela Kate Jones, it features the sound engineering of Garrick Jones.
- It will be screened in Johannesburg on January 27 2018 at the Space Frame Theatre, Education Campus, University of the Witwatersrand, in Parktown Johannesburg. Tickets are free of charge, but seating in the space is limited.
- The DVD will be on sale at the screening, which is part of the Johannesburg International Mozart Festival, and commemorates International Holocaust Remembrance day, January 27.
- Visit johnathan-andrews.com , www.join-mozart-festival.org and http://ja-inl.com
- The DVD of this film may be purchased online through: https://unitedworldnation.org/product/the-story-of-lina-amato/ or https://goo.gl/gDoXCV
Categories: Arts Festival, Film, Interview, Johannesburg International Mozart Festival, Music, radio, Review, Robyn Sassen, Uncategorized
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