Robyn Sassen
A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
IT’S THE SILENCE that grabs you first. And the gaze of the sitters. And then you notice the truncated quality. Everyone is submerged in cold, dark water. But it is the silence that holds your heart in thrall, as you walk through this astonishing selection of photographs from […]
IT WAS TOO easy: Just one quick glance at the poster and title of this movie got you booking your tickets: The Whale Caller? A South African director? Ah, it must be a celebration of the surreal poetry of Hermanus, you declared to yourself, a grin on your […]
SOMETIMES THE RAW howl of loss is the only thing possible. Sometimes it is more potent than any words which are in danger of teetering anywhere near the threat of idle platitude. Sometimes the raw gesture, the unthinkable act of personal anger and sadness in the wake of […]
THE POTENTIALLY SINISTER and foetid context of what goes on — or used to go on — behind closed farm doors in grim and unbending religious South Africa comes under close and gory scrutiny in Reza de Wet’s riveting tale of incest and dirt, horror and gamesplaying. It’s […]
THE HIGHLY POWDERED corpse-white face which seems to be disconnected from anything else, pokes through shimmering curtains. It has red cheeks and blackened eye-holes, a startling grimace and a proclivity to spew rhyming lines from its mouth with abandon and complexity. This malleable and mesmerising face sets the […]
IF YOU READ the blurb put out by Ster Kinekor for Destin Daniel Cretton’s The Glass Castle, you may go into the movie theatre expecting to be uplifted by a kind of clichéd rags to riches yarn about reaching for one’s dreams. It is so much more and […]
PERFECTION. IT’S SOMETHING every parent wants of their child, no matter how dysfunctional they may be in the rest of their lives. Taken to another level, that quest to make your child the best at ballet, at tennis, at maths can become pathological, twisted and poisonous, and it […]
THERE’S AN INSTANT in A Man and a Dog in which you fall irrevocably in love with Nhlanhla Mkhwanazi and it happens right at the beginning of this piece. It has something to do with the gusto he injects into his performance and something to do with the utter […]
WHAT DO YOU do when you discover an implacable secret that effectively will cause tectonic shifts in your relation to the world in which you’ve lived up until now? Do you try to secrete it back where you found it? Do you address it and follow up all […]
SHE WAS SO many things. The portraits of her attest to her physical fierceness. An unbeautiful woman, Queen Victoria was pivotal to a stylistic era that was as much about decorum as it was about modesty. Victoria and Abdul, directed by Stephen Frears is a magnificently crafted work […]
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