Robyn Sassen
A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
THEOLOGY MEETS CHOCOLATE commercialism in this tender little Afrikaans-language Easter comment with a sweet heart and a poignant back story that reflects on purism and the struggles of the elderly. Quintin Roy en die Paashaas (Quintin Roy and the Eastern Bunny) is Radio Sonder Grense’s Easter play which will […]
SOMETIMES A WORK reaches your sensibilities in an ineffable way, giving voice to your most secret and unuttered notions of the rawness of loss, love and letting go. Sometimes that work can touch all those nerves and succeed in being so supremely beautiful and wistfully unhinged that you […]
ARE THERE STILL children in this world who make forts out of blankets and cushions, from which they conduct complex battles and adventures? Do children in this day and age still go on wild adventures in their own back yards, where they lie on their backs and peer […]
“WOLWEDANS IN DIE skemer (the popular afternoon serial by Leon van Nierop) was my programme, as a child,” says Kobus Burger, executive director for drama on Radio Sonder Grense (RSG), South Africa’s Afrikaans-language Public Broadcasting Service, which is under the aegis of the SABC. “If I missed an episode, […]
THE TROUBLING TRUTHS of the prevalence of the selfie and the way in which contemporary society is so deeply focused on its cell phones is something that has been pondered by thinkers and hacks alike. Social media seems to be here to stay, and it’s pulling our values […]
LET US BOMBARD our audience with flashing lights, a small dark venue simmering with the residue of stage smoke as they come in, and bits and bobs of sampled sound, thrown at them with such aggression that the context is illegible and the synapses of their brains forget […]
COMPLETE WITH FEATHERS and upside down books, disabled dancers and movement evocative of ancient African dance traditions, to say nothing of their own, Moving Into Dance Mophatong presented itself on Dance Umbrella this year, with due aplomb and an earnest attempt at a snap shot of life, the […]
YOU NEED QUITE a tough stomach and heart to sit in the audience of Sello Pesa’s Bag Beatings, a work, which on one level is the most articulate and astute comment, so far, on the imminent demise of Dance Umbrella. It’s an angry work premised on extreme violence, […]
ONCE AGAIN, FEMINISM is de rigueur in our society and young women espousing these values emphatically believe themselves to be the first of their kind, as they spearhead a wave of political correctness in behaviour and talk. But what of the men? Fana Tshabalala throws some choreographic light […]
CONTEMPORARY POLISH COMPOSER Krzysztof Penderecki is known for, amongst other things, the bravery – or madness — to allow performers freedom of diverse expression within a defined rubric. So, in works of his which deal with issues such as witch hunts and nuclear bombs, for instance, you get […]
Recent Comments