
A door full of men: Vladimir Ippolitov and Fana Tshabalala in Men. Photograph by John Hogg.
ONCE AGAIN, FEMINISM is de rigueur in our society and young women espousing these values emphatically believe themselves to be the first of their kind, as they spearhead a wave of political correctness in behaviour and talk. But what of the men? Fana Tshabalala throws some choreographic light on the plight of the contemporary males of the species in a new collaboration with Swiss dancer Vladimir Ippolitov, entitled simply Men.
But make no mistake: this is not a misogynistic work on any level. Indeed, it casts a savvy eye at the rigours with which men are caught; the imperatives in terms of behaviour that is taught in a conventional context. It’s a stripped down piece characterised by a series of empty hanging frames, alluding to doors, windows and mirrors. Matthew Macfarlane, manning the guitar and the laptop sits in the centre of the space, like a god, manipulating and plucking the sound that gives the piece its core, and Tshabalala opposite Ippolitov populate the work with a cross-pollinated energy that is at once gentle and aggressive, officious and playful.
Men takes the notion of security guards in a new direction which embraces everything in its path, from sexuality to combat. It begins with a posturing that evokes a 1977 work by Marina Abramovic and Ulay, except these men are dressed in an all-purpose khaki uniform, exuding the officiousness of guys who have these jobs, veering as they do between real danger and total boredom.
The work is tight, the choreography beautiful and unusual and it reflects on layer upon layer of association. Here there’s the issue of PTSD, there there’s coyness and campness. Not a humourless piece, it’s a quiet groundbreaking work that examines the contained violence of men in a power play and men in a warring context. There are unforgettable images cast in the characters’ stance, presenting values with simplicity, clarity and a unique dance language.
- Men is choreographed by Fana Tshabalala. It features creative input by Merry K Designs (costumes), Matthew Macfarlane (music) and Mandla Mtshali (lighting and set). It was performed by Vladimir Ippolitov and Fana Tshabalala, part of Johannesburg’s Dance Umbrella in its 30th season, on March 10 and 11 at the Joburg Fringe Theatre in Braamfontein. Visit danceforumsouthafrica.co.za or call 086 111 0005.
Categories: Arts Festival, Contemporary dance, Dance, Review, Robyn Sassen, Uncategorized