WELCOME TO CLUB D, where everyone has a heart that is a little bit broken. This is the thread that runs through this sweet revue of songs and divorce repartee with acapello wiz, who you might remember from Not The Midnight Mass, Alan Glass and Cat Simoni, with […]
IT WAS APARTHEID’S jester Pieter-Dirk Uys who some years ago famously cited the shenanigans of the state as being the best possible script writers for his work. He wasn’t alone. Playwright Mike van Graan doesn’t miss a beat in using every dirty nuance and crass irony dished out […]
“HAVE YOU SEEN Green Man Flashing?” was a statement uttered with urgency everywhere you went in 2004/5. It was a play that rocked South African society’s equilibrium when it first saw light of day. One of the first works from the pen of Mike van Graan, it fitted the […]
HE’S DEVASTATINGLY SUAVE but quietly spoken; he’s funny and earnest at the same time and when he sits at the piano, the world becomes a friendlier place. Meet Charl du Plessis who performs a week-long season at Auto and General Theatre on the Square in Sandton, this week. […]
THE HIGHLY POWDERED corpse-white face which seems to be disconnected from anything else, pokes through shimmering curtains. It has red cheeks and blackened eye-holes, a startling grimace and a proclivity to spew rhyming lines from its mouth with abandon and complexity. This malleable and mesmerising face sets the […]
THE POLITICAL, SEXUAL and otherwise social hooliganism of us South Africans, big and small, black and white make for constantly fertile material with which to play. Particularly if you’re John van de Ruit and Ben Voss. Their Mamba brand, coined in 2002, is still going strong with classic […]
YET ANOTHER BRISTLING piece of repartee, rich and seething with the material spewed out by our world, Mike van Graan’s State Fracture is a fitting sequel to his Pay Back the Curry, which graced this theatre at the end of last year. Boasting the same cast and team, […]
THERE’S NOTHING QUITE like a dollop of Brel on a cold winter evening to warm the cockles of your heart. Embraced as schmaltz by generations of song-lovers everywhere, the rough and drunken, sad and maudlin brilliance of Belgian singer/songwriter Jacques Brel (1929-1978) bring together a mix of wisdom […]
IT’S THE SILENCES and gaps between words and the construction of the unspoken beat in this intriguing Pinter work, that lends it its potency and dramatic verve, but it is this potency mixed with extremely classy performances, an understated set and an unequivocal elegance that gives it the […]
CAN SOMETHING AS thoroughly written about as the European Holocaust still engage a contemporary audience with a modicum of freshness? Or are we, as a society so limp with Holocaust fatigue in our histories and fictional accounts that another Holocaust play trotting out narratives we know well, has scant […]
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