Category: Review

Jemma Kahn, Roberto Pombo take the piss out of hell itself, with complete aplomb

There’s an element of such blatant lasciviousness in the framework, articulation and texture of Jemma Kahn’s new kamishibai-redolent production that you have to laugh. Sex, like death onstage, needs to be handled with a level of spoof that expunges earnest urgency and enables it to entertain without sliding […]

Impeccable Crepuscule

It’s relatively easy to glamourise the 1950s. The fashions are beautiful and dignified. The architecture is poetic. The times were ripe with sex and possibilities: the world was on its knees after two major wars, and the cultural pendulum was swinging back: anything was possible. Truth be told, […]

Venue fail in Little Shop of Horrors

In this Hairspray-meets-Faustus 1960s-redolent musical, you get to experience the schlock-horror tradition from which musicals like The Rocky Horror Picture Show were spawned and blending some fabulous rock ‘n’ roll, doowop and Motown moves, Little Shop of Horrors is a hugely palatable production which engages with issues like […]

Running on Empty: work full of soul

The first thing that strikes you when you enter this gallery space is a sense of plenty: artists Audrey Anderson and Ross Passmoor are very different practitioners with distinct visual signatures and skill. They’re young, but their individual approach is established and keenly honed. And while there are […]