Category: Review

Permanent culture; temporary issues in Stephen Hobbs’s exhibition

There’s something dishearteningly unresolved in the overall impact of Stephen Hobbs’s current solo exhibition, which offers a foray into the rhetoric of camouflage and opens a can of vague worms onto a range of hinted at and skirted around army-related political innuendo. The unequivocal saving grace of this […]

The scintillating horror of Doubt

What would you do if you suspected something appalling was happening in your midst, where an innocent child’s well-being was at stake, and the issue was a disaster you think you might have the power to avert? This is the kind of dilemma embraced in James Cuningham’s stage […]

Impeccable Crepuscule

It’s relatively easy to glamourise the 1950s. The fashions are beautiful and dignified. The architecture is poetic. The times were ripe with sex and possibilities: the world was on its knees after two major wars, and the cultural pendulum was swinging back: anything was possible. Truth be told, […]