A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
In this Hairspray-meets-Faustus 1960s-redolent musical, you get to experience the schlock-horror tradition from which musicals like The Rocky Horror Picture Show were spawned and blending some fabulous rock ‘n’ roll, doowop and Motown moves, Little Shop of Horrors is a hugely palatable production which engages with issues like […]
It requires a particular level of maturity to take a concept and work with it until it reaches a point of abstraction, but a very unique sense of artistic muscle and wisdom that can keep that abstraction relevant to the casual viewer. This is what Mary Wafer achieves […]
The first thing that strikes you when you enter this gallery space is a sense of plenty: artists Audrey Anderson and Ross Passmoor are very different practitioners with distinct visual signatures and skill. They’re young, but their individual approach is established and keenly honed. And while there are […]
Occasionally in life, if you are really lucky, you get to see a work which reaches with delicacy, directness and supreme intelligence into the history of its own technical tradition and pulls out something so fresh and unique that it takes you until you get home to catch […]
Charles Dickens’s Oliver Twist is one of those stories that has been consumed by the children’s theatre industry, thanks in part to the eponymous West End and Broadway musicals of the 1960s featuring glorious songs by Lionel Bart. It’s also been deemed a children’s story because the main […]
The power of gender as a signifier for being in the world is incontestable. Consider all the transgender debates setting fire to social media and fingering critics as suffering from irretrievable bigotry, when they use the wrong pronoun for a trans individual. The sex of a stranger has […]
South Africa’s landscape is layered with history and filled with residues – even dried reservoirs – of great masses of blood spilled in battle – as is virtually every other place in the world that has been lost and gained, caught in tussles and fought over. Photographer Francki […]
As she walks onto the stage, bent over by her smoker’s cough and her palpable despair, Anna-Mart van der Merwe, in the role of Fugard’s ‘Millie’ magnetises the audience. She portrays the squalid baseness of poverty and worthlessness in an early 1970s South Africa with a sense of […]
There’s a fine and lovely ringing and rumbling set up in the blending, piece by quintessential piece of colour and texture in Tamlin Blake’s latest body of experimental works on show at Circa in Rosebank. And while, according to the exhibition’s press release, there’s a conceptual resonance set […]
Veteran South African artist, Deborah Bell’s latest exhibition showcases the kind of muscular body of work that gives you courage: the art world is indeed not comprised only of sham, drudgery and broken dreams, to say nothing of self-indulgent sophistry and vague conceptual ideas poorly translated. Rather, the […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments