A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
Children’s theatre has the license to take the idea of soppy and stretch it to biblical proportions, which enables adults and children alike in the audience to cry with empathetic abandon, as the characters can declare love for one another with the kind of fierce naïve sentimentality that […]
They stand in a stripped bare John Kani theatre, which allows your eye to rest on and explore the architecture that has been witness to so much drama over decades. Surrounded by more than 20 plastic crates, some apples and a couple of swaths of material, these four […]
“The work begins outside”, people state as the crowd shifts and flows to the quasi-amphitheatre just beyond the foyer doors, and they are silenced in what is arguably one of the more beautiful, elegant and ironic starting points to this year’s Dance Umbrella. The choreographer/performer Nelisiwe Xaba is […]
Whoever you are, by virtue of the fact that you exist, you have a father. He might not have raised you. He might not be alive any longer. He might have been the source of sadness or horror, happiness or love. This is not one father we see […]
Robyn Orlin could do it. So could Steven Cohen. And the Doobie Boobies under the direction of Mark Hawkins held articulate and convincing sway on this too. What is it that Gavin Krastin and Alan Parker lack in this discipline of rough burlesque and counter-dance? Is it a […]
She’s already dancing in a milky grey spotlight when you walk into the space. Amid the noise and rustle of an audience settling into itself and talking and laughing, she performs in a curious silence, marked by facial expressions at once comic and a little frightening. There is […]
Mixed programmes in Dance Umbrella always hold that frisson of possibility and that lucky packet threat that is about how the works on the programme relate to one another, as well as what you are left with at the end of the evening. Sadly the wretched acoustics in […]
Does someone in the audience actually have to die in the context of contemporary dance before the dance establishments take notice of how audiences are being abused? Or should audiences of a festival like Dance Umbrella be restricted to young academics, who are under 40, physically robust and […]
When you watch a piece as catastrophically chaotic as Constanza Macras’s On Fire choreographed for the gala opening of this year’s Dance Umbrella, you might be tempted to question what exactly a choreographer does. Unlike the previous works we have seen by this choreographer and her company, there […]
Arguably one of Dance Umbrella’s more exciting collaborations is that between Moving Into Dance Mophatong’s Sunnyboy Motau (28) and independent Tel Aviv-based choreographer Rachel Erdos (36). They grin as they refer to their piece fight, flight, feathers, f***ers as a “beast”. They spoke to My View a week […]
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