A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
Mixed programmes in Dance Umbrella always hold that frisson of possibility and that lucky packet threat that is about how the works on the programme relate to one another, as well as what you are left with at the end of the evening. Sadly the wretched acoustics in […]
Does someone in the audience actually have to die in the context of contemporary dance before the dance establishments take notice of how audiences are being abused? Or should audiences of a festival like Dance Umbrella be restricted to young academics, who are under 40, physically robust and […]
When you watch a piece as catastrophically chaotic as Constanza Macras’s On Fire choreographed for the gala opening of this year’s Dance Umbrella, you might be tempted to question what exactly a choreographer does. Unlike the previous works we have seen by this choreographer and her company, there […]
Arguably one of Dance Umbrella’s more exciting collaborations is that between Moving Into Dance Mophatong’s Sunnyboy Motau (28) and independent Tel Aviv-based choreographer Rachel Erdos (36). They grin as they refer to their piece fight, flight, feathers, f***ers as a “beast”. They spoke to My View a week […]
What happens when you put four song and dance and jazz veterans together with some timeless classics from the American Song Book, a bit of Bessie Smith and a smattering of Joan Rivers, to say nothing of the Communards’ delicious Never Can Say Goodbye? In simple terms, a […]
If you’re seeking fine excuses to go to the National Arts Festival in Grahamstown this year, seek no further: Jenine Collocott and Nick Warren have once again been putting their very fine heads together, and this time have yielded a theatrical essay on Mandela’s childhood which soars with […]
Have you ever looked at an orchestra and pondered the back story behind the more monstrous and dramatic of its components? Or even the not-so-monstrous, but instruments which might be completely bizarre to the average Joe. And I’m not talking about the ordinary violin or sedate flute. What […]
Witnessing concert pianist Melvyn Tan perform — either with the Buskaid Soweto String orchestra or alone on stage for the Johannesburg Musical Society — as he did on the weekend, is the kind of experience that will makesyou believe there is a God, after all. Tan has a magical […]
If you’ve been at any of this year’s Johannesburg International Mozart Festival, you may have had your proverbial envelope of expectations stretched wide. Arguably, the festival’s pièce de résistance is still to come – on February 8, when this year’s festival’s composer-in-residence Peter Klatzow debuts a work Johannesburg […]
The room you enter is crushingly ordinary. As the lights are dimmed and the instruments are fired up, magic erupts. Listening to the Image, an event which forced you to listen to a visual artwork with more than just your ears, not only presented four splinteringly fine new […]
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