THERE’S SOMETHING UNMISSABLY effervescent about a beautifully written short story. It has not only to do with its brevity, but with the way in which its writer crafts a whole universe in a few pages. And with a particularly good short story, it’s a universe replete with everything, a universe that will haunt you forever. This is the kind of experience you can anticipate with David Medalie’s latest anthology of South African short stories, Recognition.

There is not one of these hand- picked, lovingly formed tales that glares out for being under par or without a voice of its own. Cohesively, this anthology offers a uniquely South African voice. It is beautifully crafted, in spite of the fact that stories deal with a wide range of issues, from feeling unwanted to being broken, from remembering abuse to articulating violence. It’s a series of tales which give you insight into the soul of South Africa, from its youngest and most vulnerable to its oldest and most hard done by.

These 22 stories by a range of South African authors – living and dead, contemporary and historical – are powerful testimonies to our ability, as South Africans, to laugh and cry, disparage truths and describe things as they are. It’s the kind of collection that you must take a breath from, every now and then, so that you can keep the memory of each story pristine in your heart and not allow them to merge.

Loosely bound by the notion of recognition, the focus of this anthology splays wide across the Karoo as it burrows into the poorest, most humble township homestead. It’s a discourse about robbers frightened in rich estates and Muslims who digress from their faith and their family, and a series of essays on hunger and meeting strangers on a train. It’s about what might happen to the widows of apartheid’s leaders, and how a blanket feels to a man who has nothing.

Many of the stories are written in the first person, but this is not to say that they are autobiographical. This is South African fiction at its finest, offering you a taste of everything in a rich and fulsome smorgasbord. Medalie is to be celebrated for putting together this brand new collection – on some levels, it evokes Encounters, a book of South African short stories, also selected and edited by Medalie, that slipped into school curricula and first saw light of day in 1998. Recognition is  the kind of book – if it does become part of South African school syllabuses – with which you know your children will be in safe hands, if they are taught with it, or gravitate toward reading it of their own accord.

As you read this book, many diverse South African voices will fill your head. The brilliance of Medalie’s curation of this selection means that it doesn’t self-censor or mute itself around terminology that is no longer considered acceptable. It doesn’t skew itself apologetically away from racist caricatures or perspectives articulated by writers or their characters. It tells it like it is. And it gives the kind of recognition to South Africans large and small, rich and poor, good and evil, that we all need to read.

• Recognition: An Anthology of South African Short Stories selected edited by David Medalie is published by Wits University Press, Johannesburg (2017). It features stories by Herman Charles Bosman, Achmat Dangor, Nadia Davids, HIE Dhlomo, Ahmed Essop, Damon Galgut, Nadine Gordimer, Dan Jacobson, Alex La Guma, Mandla Langa, Wamuwi Mbao, David Medalie, Kobus Moolman, Njabulo S. Ndebele, Lindiwe Nkutha, Pauline Smith, Can Themba, Miriam Tlali, Chris van Wyk, Mary Watson, Zoë Wicomb and Makhosazana Xaba.