
SEVENTY per cent pretty: Klara van Wyk is Prettina. Photograph by Lauren Buckle.
BLENDING TENDERNESS WITH bravado, prickliness with utter vulnerability, Klara van Wyk has crafted a character which warrants status as the poster girl of contemporary high school bullying. Her work, You Suck and Other Inescapable Truths is a piece of advocacy theatre which stands its own ground in a regular theatre, but which will haunt you and make you remember bruises that you inflicted as a child – and/or the bruises and scars that were inflicted on you during those very same years. Beautifully constructed and performed with the clownish acumen you might have seen in van Wyk’s representation of Chalk Girl in collaboration with Jemma Kahn some years ago, this is one of those pieces that irrevocably is the voice of an era.
Prettina considers herself almost material for the ‘A’ group. She believes she’s 70% pretty and nearly there in terms of the popular set of the high school which she attends. Granted, she’s awkward in some ways. And she has a strict mom and she’s not really sure of the value of her Afrikaans heritage, other than as a stumbling block. But she knows the ropes of hip-hop, is an expert in the odd cultural skill of Eisteddfod, and can sing. And furthermore, she can see through the flaws of the class queens with ease, and there’s no reason why she shouldn’t be one of them.
Until she finds out why, that is. Rendered with the kind of dead-pan irony that evokes Nathaniël’s storytelling, the work is at once utterly breath-takingly hilarious and totally tragic. You want to embrace Prettina and tell her that there is so much more out there in the world, and yet, you cannot help roaring with (albeit utterly empathetic) laughter at her social faux pas. And the reason for this is as simple as it is complicated: You, too, are Prettina. Or you have been shades of her in your own way. And that’s true, whether or not you like to admit it, an inescapable fact which ramps up your laughter even more – even if it serves to camouflage old tears of rage and injustice.
There’s a deeper thread underlying the work, however, and structurally, this is supported with a level of brilliance that runs through it like a thread of quicksilver. It has to do with a mouse. And that mouse is present from the very first line in the script, as the lights come up, infused with prescience, like in a Greek tragedy. Constructed with a denouement that will give you goose bumps and make your hair stand on end, You Suck doesn’t pander to an audience. It is an unrelenting piece of potency which holds up the phenomenon of social media bullying to a very frightening mirror: this is the flailing voice of youth in our contemporary times. And it’s weeping, silently. Whatever else You Suck does, it will make you sit up and take notice – particularly if there are young children in your life.
- You Suck and Other Inescapable Truths is written by Klara van Wyk and directed by Francesco Nassimbeni. Featuring design by Francesco Nassimbeni (set) and Richard de Jager (costumes), it is performed by Klara van Wyk, on demand at Western Cape schools. It will also enjoy a commercial run at the National Arts Festival in Grahamstown, June 29-July 9. Contact klara@gmail.com
Categories: Advocacy Theatre, Review, Theatre, Uncategorized
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