Makan’s was a life of fullness and thoughtfulness; it was only in her mid-30s that she began to weave a grown-up narrative of artmaking blending her aptitude for a wide range of research interests and her love of family, with oil paint and later, the stuff of embroidery and haberdashery.
Featuring phenomenal performances by Alice Findlay, Oratile Manamela, Nicola Shapiro and Ketsia Velaphi, it takes on the repetitive nature of a boarding school ethos, punctuated by gossip and politics, lessons which are both rote-based and morally confusing, and the drugs, sex and other illegal experiments conducted in the school’s interstices.
From a giant toothbrush to a car tyre tutu, there’s a giraffe’s torso and a box from cremated ashes: the precious, the profane all in a beautiful conglomeration. There is respect both earnest and cynical paid to deceased mothers and representations of the horror of hate that leaves you queasy.
Du Plessis does more than observe the individual through the eyes and words of medical professionals with a Victorian mindset. He gazes at the crumbs left by reports and throwaway descriptions – all that remains of these individuals, who were invisible because they danced to a tune different from everyone else.
Nicholas Wilcox endowed so many of his students with an unforgettable understanding of the value of play and of the complex freedom to fail. He showed youngsters how to embrace the absurd and chaotic in a world that could be cerebral and cruel as it could be beautiful and rich.
WHEN YOU HOLD a match to something flammable, you will get an explosion. But it need not be a destructive one: Pantsula dancer Ayanda Nondlwana aka “Fire Starter” or “Ace” was that kind of flammable, in the dance sphere. All the people who touched his life enabled him […]
OF RAIN AND curiosity, the personality of mountains, love and loss, this week’s Radio Sonder Grense drama slot is filled with the sound and fury of beautiful poetry. Born in 1871, Afrikaans poet Eugène Marais was to become one of the language’s most mysterious and romantic characters in […]
MULTI-TALENTED MASTER OF fiercely bright colours and the unequivocal backbone of the Durban arts community, Andrew Verster was known for his magnificent fine art and theatre design, as well as his contribution to the National Arts Festival. He wrote, mentored and allowed the audacity of art to run […]
TRIBUTE TO LYNETTE MARAIS BY GILLIAN RENNIE. LYNETTE MARAIS died from cancer on 28 August 2020. In other times, theatres across South Africa would have dimmed their lights. But we are in lockdown, in hiding from a lethal virus, and so it is up to our socially distanced […]
TRIBUTE TO SIBUSISO KHWINANA, RESEARCHED BY INEKE HURTER. A fresh young artist with a promising career ahead of him, Sibusiso Khwinana was the face of the 2019 South African coming-of-age comedy Matwetwe. He was also the face of immense optimism and hope in arguably one of the toughest […]
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