Back to the future with a pot of kak at the end of the rainbow

paybackcurry
WHAT happened to our dreams? Daniel Mpilo Richards will blow you away.

YOU MIGHT THINK the political repartee through which we have collectively been wading for the last little while has been so overused by local comics that nothing’s very funny anymore. You’d be wrong. Mike van Graan’s Pay Back the Curry will dispossess you of any of those ideas, within its first few moments. Tautly cast, beautifully written in tune with the shenaginans in our country and seamlessly performed by the immensely talented Daniel Mpilo Richards, this is South African satire at its most ruthlessly scathing best.

But humour is complex, as director Rob van Vuuren indicates with this highly polished piece of work. Many Van Vuuren fans may know him for his work on Corné and Twakkie and the Most Amazing Show – or as a stand up comic. But there’s another side to this talented theatre personality, which saw plays of the ilk of Brother Number and The Three Little Pigs, really sinister works that meld well-established ideas with their utter corollaries: his successful appearance in serious theatre as well as comic roles makes him the perfect man to direct this piece.

Part stand up comedy, part revue, this one-man-play takes everything from Shakespeare to Sinatra, Somewhere Over the Rainbow to Born Free and casts it relentlessly against the besmirched mirror of our times. The writing is nimble and supremely sophisticated. You might laugh out loud several times, but the repartee will also have you squirming uncomfortably in your seat – and there, indeed, is the rub: occasionally in this intensely focused work you will find your grin frozen on your face in horror, as the focus digresses from the foolishness of Zuma and into the terror of being an African in a context where lesbians are raped, poverty pervades and corruption rules.

Pay Back the Curry doesn’t tell a story in the conventional way, but Richards so smoothly embraces myriad persona changes while he seduces the audience to looking at things they would normally shy from, that the sorry tale of contemporary South Africa gets splayed and flayed for all to see. From Penny Sparrow to Oscar Pistorius, the Guptas to Malema, nothing dodgy, contradictory, shameful or blatantly foolish escapes Van Graan’s intimate and bold speculum.

This play is an important one for this moment – it’s the kind of work that will date because its references are so very specific. Richards’s performance however, won’t: this is an actor who embraces major challenges with acumen and integrity. You can’t draw your eyes from him as he embodies every kind of political voice you can imagine, with all the colour, intelligence and flair necessary. See this play, now, while it’s ripe.

  • Pay Back the Curry is written by Mike van Graan and directed by Rob van Vuuren. It features design by Gantane Kusch (lighting) and is performed by Daniel Mpilo Richards at the Auto & General Theatre on the Square in Sandton until December 15. Call 011 883 8606 or visit theatreonthesquare.co.za

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Robyn Sassen

A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. This blog promises you new stories every week, be they reviews, profiles, news stories or features.

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