FILM REVIEW: FRANKENSTEIN. This review is premised on the version of the work with Benedict Cumberbatch as the creature. What is it that gives us humanity? Nay, that gives us life? The stuff that distinguishes life from death is the substance of the 1817 prototype gothic horror novel […]
THEATRE REVIEW: TWELFTH NIGHT Humour is easily one of the most difficult genres to uphold: it dates; what may have been pants-wettingly hilarious in the 1500s, might be simply boring or perplexing today. In the hands of Simon Godwin, however, the gender fluid wildness of William Shakespeare’s Twelfth […]
THEATRE REVIEW: ROMEO AND JULIET. THERE IS SOMETHING eminently satisfying and comforting in this world, where everything is off kilter, of knowing that certain traditions are being upheld with a great sense of fierceness. Shakespeare’s Globe Theatre in London has, in its wisdom and generosity, established a free […]
THEATRE REVIEW: TREASURE ISLAND. PATSY FERRAN IS a Spanish-born actor, who at the time of the stage debut of the National Theatre’s Treasure Island was in her early 20s. The enormity of her presence, the wit and poetry of the manner in which she articulates and inhabits the […]
THEATRE REVIEW: JANE EYRE. IF YOU’VE REACHED the point of misremembering the magic of theatre, having not seen anything live and outstanding since lockdown was declared a couple of weeks ago, look no further. Sally Cookson’s whopping three hour long production of Charlotte Brontë’s great 1847 classic Jane […]
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