FILM REVIEW: A STREETCAR NAMED DESIRE. THE ROLE OF Blanche du Bois in A Streetcar Named Desire has, since 1947 when Tennessee Williams first penned it, become iconic as a reflection of the tawdry vulnerability and bravado of a character losing her moorings, while she pretends to be […]
FILM REVIEW: THE WINTER’S TALE. WITHIN THE FIRST fifteen minutes of Blanche McIntyre’s version of Shakespeare’s The Winter’s Tale, you understand why the king of Sicily, Leontes (Will Keen) suspects the king of Bohemia, Polixenes (Oliver Ryan) for “bed swerving” with his beautiful wife, Hermione (Priyanga Burford). The […]
FILM REVIEW: THE BARBERSHOP CHRONICLES. WHERE IS IT that African men get to kick back, let their hair down and loosen their tongues? The communal urinal? The local bar? Under the pen of Inua Ellams, it’s the barbershop; South African writers of the ilk of Tony Miyambo, Sue […]
FILM REVIEW: MACBETH. OTHERWISE KNOWN AS ‘The Scottish Play’ Shakespeare’s Macbeth is the one tragedy most filled with special effects to make it sizzle with audience accessibility. From witches and ghosts to murderers and phantoms, the work in anyone’s hands has the frisson of sensationalism of any good […]
FILM REVIEW: THE TWO NOBLE KINSMEN, FILMED AT THE GLOBE. FRANCESCA MILLS TAKES the soul of this production of The Two Noble Kinsmen, one of Shakespeare’s lesser known works and rolls it between her fingers, thunderously like a god. This performer, who has dwarfism, takes on the whole […]
FILM REVIEW: FRANKENSTEIN. This review is premised on the version of the work with Jonny Lee Miller as the creature. A man makes a living creature by pulling together alchemical possibilities and graveyard detritus sewn together with a crude hand. And thus starts one of the western world’s […]
FILM REVIEW: FRANKENSTEIN. This review is premised on the version of the work with Benedict Cumberbatch as the creature. What is it that gives us humanity? Nay, that gives us life? The stuff that distinguishes life from death is the substance of the 1817 prototype gothic horror novel […]
THEATRE REVIEW: TWELFTH NIGHT Humour is easily one of the most difficult genres to uphold: it dates; what may have been pants-wettingly hilarious in the 1500s, might be simply boring or perplexing today. In the hands of Simon Godwin, however, the gender fluid wildness of William Shakespeare’s Twelfth […]
THEATRE REVIEW: ROMEO AND JULIET. THERE IS SOMETHING eminently satisfying and comforting in this world, where everything is off kilter, of knowing that certain traditions are being upheld with a great sense of fierceness. Shakespeare’s Globe Theatre in London has, in its wisdom and generosity, established a free […]
THEATRE REVIEW: TREASURE ISLAND. PATSY FERRAN IS a Spanish-born actor, who at the time of the stage debut of the National Theatre’s Treasure Island was in her early 20s. The enormity of her presence, the wit and poetry of the manner in which she articulates and inhabits the […]
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