FILM REVIEW: THE TWO NOBLE KINSMEN, FILMED AT THE GLOBE. FRANCESCA MILLS TAKES the soul of this production of The Two Noble Kinsmen, one of Shakespeare’s lesser known works and rolls it between her fingers, thunderously like a god. This performer, who has dwarfism, takes on the whole […]
THEATRE REVIEW: TWELFTH NIGHT Humour is easily one of the most difficult genres to uphold: it dates; what may have been pants-wettingly hilarious in the 1500s, might be simply boring or perplexing today. In the hands of Simon Godwin, however, the gender fluid wildness of William Shakespeare’s Twelfth […]
THEATRE REVIEW: ROMEO AND JULIET. THERE IS SOMETHING eminently satisfying and comforting in this world, where everything is off kilter, of knowing that certain traditions are being upheld with a great sense of fierceness. Shakespeare’s Globe Theatre in London has, in its wisdom and generosity, established a free […]
LIKE IT OR not, death is the final prognosis of all of us, and veteran performer Simon Fortin takes this on with a full-hearted foray in his stage work … Or not to be, drawing on both Shakespeare’s litany and his own considerable experiences. Everything tender and sharp, […]
IT WAS ALWAYS the love affair to end all love affairs and give birth to a myriad of platitudes and clichés about the universal tale of boy meeting girl, in spite of social barriers, and boy loving girl in the midst of catastrophe. Shakespeare’s Romeo and Juliet has […]
IAN MCKELLEN TAKES full and unexpurgated possession of all the complexities of a great king ravaged by the suspicion of daughterly disloyalty and onset and brokenness of dementia in this major and magnificent production of arguably Shakespeare’s most important tragedy, King Lear. Indeed, on so many levels, this […]
THE POLITICS OF wickedness is something so well trodden in the world in which we live, that it feels disappointing to see Fred Abrahamse take a traditionally black and red and contextually erased response to Shakespeare’s bloodiest tale Macbeth. There have been so many monsters in our midst […]
AS YOU OPEN the first page of A Several Plot, and step into the whirligig of 16th century European society, with all its costumes and class structure, its hierarchies and ravaging illnesses, so may you be forgiven for feeling as though you’re no longer of the 21st century. […]
THERE’S NOTHING QUITE like a foray with the world’s most famous illicit lovers, told by young voices to young audiences. It’s like being witness to the passing on of the baton to another generation of theatre makers and it might give you goosebumps, when you see Shakespeare’s Antony […]
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