CHILDREN’S THEATRE REVIEW: ALICE IN WONDERLAND. TAKING A HEAVILY-detailed Victorian foray into a world conditioned by what we would in today’s times call surreal and packing it into one hour for a predominantly contemporary childcentric audience, is one challenge. Arranging it for a cast of but four performers […]
SAY THE WORD ‘tokoloshe’ and you will have people quivering in their boots for generations. But relieve that scary sprite of his evil associations and you open a rich vein of narrative possibilities that teases open everything from fake news to bullying, fah-fee rhetoric to face time with […]
BOOM! ONTO THE rudimentary set dominated with brown paper explodes a young man in a war helmet (Mathews Rantsoma), manning a paper aeroplane. He’s making sums that no doubt involve geography, mathematics, aviation and pilotry. Matters of consequence, you understand. The theatrical opening of the version of The […]
ARGUABLY THE CHILDREN’S classic with the most, Le Petit Prince was penned and illustrated in 1943 by Antoine de Saint-Exupery. It was one of the last gestures he made to the world before he disappeared in what is presumed a war incident. Now, 75 years later, this tender, […]
CLASSICAL MUSIC IS not necessarily something that the average child imbibes with their mother’s milk. Serious composers of the ilk of Benjamin Britten, Camille Saint-Saëns and Sergei Prokofiev, amongst others, were proactive in their day, addressing this scenario, in ways that filtered boldness and magic, humour and fantasy […]
MAKING THEM LAUGH at cultural idiosyncrasies of your own is a complex challenge that draws together bias, cringeworthiness and caricatures in a way that can never be precious. Ask Sonia Esguiera, who for the past eight years or so has been developing the Porralicious brand. This, its fourth […]
WHEN OLD AGE and its vagaries come under the inestimable loupe of Pieter-Dirk Uys, you may believe you’re in for a laugh-a-second experience with a sharp and bitter edge, and you will not be wrong, but the tears fall amid the laughter, which sometimes sours on your face. […]
IN THE AGONISING moment when Asher Lev’s parents are revealed as utterly out of place in Asher’s world, the tectonic plates of this classic Jewish art story which first saw light of day in 1972, shift. It is a pivot crafted with sheer brilliance that holds this whole […]
<<Warning: this show features strobe lights and deep base>> When a show brings out all the technological tricks including violent strobes and deep bass too big for the venue before the story it tells has the time to stretch its wings and prove its fire, be afraid, be […]
It’s a great rarity when you are privileged enough to see a play so ununtterably perfect that you feel were you to never see a play again, it would suffice. Fairly low-key, Dop is unequivocally a play of this standard. Premised on the clichéd honest friendship between a […]
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