A TALE OF gentrification and blues where sex is the underlying parlance and song lifts the dialogue into a different realm, Dominique Morisseau’s Paradise Blue is an African American foray into the complexity of the future for a 1949 Detroit club owner. The production, directed by James Ngcobo […]
South African storytelling has rich veins of possibility that draw not only from farm novel traditions, but also the criss-crossing of many cultures and biases that soils its reputation, but makes for good meaty yarns. This is what you will find in Victor Gordon’s sterling work Brothers, an […]
IT IS A great rarity for a theatrical work to be able to touch the nub of a complex issue that bruises a society, with potency, conviction and directness. It is even a greater rarity when the work in question is the product of unseasoned performers. And while […]
EVIL AND TERRIBLE leaders shape our world. It takes someone with a certain level of passionate belief in who he is and what he stands for, to commit the ultimate act of premeditated murder of such a leader. It doesn’t happen often, but it happened during the first […]
WHERE THERE IS smoke in a story involving powerful figures, there is always fire. And the story that wriggles its way out into the public forum is often a cover from one much more sordid and filthy than the public should be allowed to know or can stomach. […]
SHE WAS ONE of black America’s iconic figures during the turbulent 1960s. And her songs were grist for the protest mill. But that wasn’t all. You think Nina Simone (1933-2003) – born Eunice Waymon – and you think of the wealth of beauty and subtlety, nuance and fire […]
IF A PLAY finds you googling for information, or better still, scrabbling amongst your bookshelves after you’ve seen it, it must have done something right. Congo: The Trial of King Leopold II has a fabulous cast and premises rich with dangerous and interesting promise, that points in the […]
THE SAD THING about living in this society, tainted as it is by political rhetoric, is that after having weathered the kind of circumstances which saw our former president Jacob Zuma use hundreds of millions of tax payers’ rands to create his own personal luxury compound – among […]
FORCING HILL-BILLY VALUES under the loupe and lasso of cowboy energy, Sam Shepard’s 1980s play, Fool for Love offers a raging and meaty reflection on broken love in a grubby world of lies, taboos and indiscretions. Director Janice Honeyman takes the project by its heart, and Kate Liquorish […]
GRAVEYARDS ARE FASCINATING and complex ciphers of values. They’re about grounding one’s memories and honouring those who are no longer with us. They’re about a level of sacredness which touches everyone at the core. This is the premise of Athol Fugard’s devastatingly potent work, The Train Driver and […]
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