In terms of power she wields both as a character and a performer, Mpume Mthombeni as Nomsa is God in a pair of 1950s-evocative horn-rimmed specs and a dress appropriate to a middle-aged woman. She carries the world on her head and can invoke humility or catastrophe with a gesture.
With all of its apparent chaos, the story lines in Daniel Buckland’s Afropocalypse are crystal clear and the surreal topsy-turvy values articulated from the idea of an African apocalypse are held sacred and gorgeous. And not a little scary, at times. Be prepared to give tears and laughter on cue.
‘The Moon Looks Beautiful From Here’ is Aldo Bincat’s beautiful and universal piece, written in simple language with a deft hand and clearly over a great many years of emotions spent and ideas thought and revisited, sometimes in great pain. It’s a touchstone work and a clear victory in storytelling.
This tale is about the women who have awaited their absent men for hundreds of years. It is also about men who go into the world to create lives for themselves, knowing – or maybe forgetting – about the domesticity born of innocent love, that waits for them in a rural place.
In ‘n Begin, written by David Eldridge and translated by Nico Scheepers, the picture of life for both Laura and Daniel is not what either of them were raised to believe it would be. Happily ever after and never again alone are myths they acknowledge, now in their late-30s/early 40s.
With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
WE LIVE IN a world that would be unrecognisable to anyone of a previous generation. It’s a world where spite and malice can have legs that last forever and a tail that can destroy lives. Indeed, it’s a world where a silly gag can land a child with […]
THEATRE REVIEW: RETURN OF THE ANCESTORS WITH A POTENT nod in the direction of the 1981 classic South African play, Woza Albert!, Mike van Graan’s Return of the Ancestors is a provocative essay on what has become of the world in which we exist. It offers a premise […]
THREE YOUNG SOUTH African men with fabulous repartee and a bag of psychological issues are what you will encounter in this brand new gem of local theatre. The Kings of the World is a play effectively about nothing: crumbling dreams, cloudy suppositions, silly beliefs and thin promises. Constructed […]
A TALE OF gentrification and blues where sex is the underlying parlance and song lifts the dialogue into a different realm, Dominique Morisseau’s Paradise Blue is an African American foray into the complexity of the future for a 1949 Detroit club owner. The production, directed by James Ngcobo […]
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