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Tag: John Kani Theatre

Flemish dance to make your eyes bleed, your heart weep

PLEASE BE WARNED: STROBE LIGHTS ARE USED IN THIS PRODUCTION! WHEN YOU ENTER the sacred confines of a new work which you’ve yet to experience and the front of house staff issue you with ear plugs along with your tickets, be afraid, be very afraid. Flemish choreographer Jan […]

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Stripping Nina’s legacy down

SHE WAS ONE of black America’s iconic figures during the turbulent 1960s. And her songs were grist for the protest mill. But that wasn’t all. You think Nina Simone (1933-2003) – born Eunice Waymon – and you think of the wealth of beauty and subtlety, nuance and fire […]

Accused, incarcerated, unbroken

THERE’S STILL TIME to change your plans today and go and see what is arguably the finest piece of dance that has graced Johannesburg’s stages in a long while. Dark Cell, choreographed by Themba Mbuli and Fana Tshabalala is a contemplation on the horror of political incarceration. Focused […]

Pandora’s suitcase

WHEN A WORK touches you so deeply that elements in its direction have become part of how you see and speak about the world, you know that something’s been done right. In 2006, James Ngcobo directed the stage version of Es’kia Mphahlele’s tragic and beautiful tale The Suitcase. […]

For Karabo, and all Karabos

TAKE AN AUDIENCE of 72. Divide them in two and range them facing one another across the stage. Strip them of their ability to sit in the auditorium because every seat in the space has been marked with the name of a woman, who is both present and […]

Lorca, butchered

BY ALL ACCOUNTS, the idea of Blood Wedding by Lorca conjures up a whole rich and gruesome terrain of achingly beautiful poetry, difficult emotional quandaries and an unrelenting tale of flowers and moons, sacrifice and tradition. It’s not clear why the direction of this production, Raissa Brighi chose […]

Lest we forget

WHEN 20 YEARS have elapsed after your first experience in the presence of true greatness, you might have forgotten the unequivocal brilliance that a work such as Ubu and the Truth Commission has brought to South African theatre. And indeed, more than 20 years on, the Truth and Reconciliation […]