A TALE OF gentrification and blues where sex is the underlying parlance and song lifts the dialogue into a different realm, Dominique Morisseau’s Paradise Blue is an African American foray into the complexity of the future for a 1949 Detroit club owner. The production, directed by James Ngcobo […]
PLEASE BE WARNED: STROBE LIGHTS ARE USED IN THIS PRODUCTION! WHEN YOU ENTER the sacred confines of a new work which you’ve yet to experience and the front of house staff issue you with ear plugs along with your tickets, be afraid, be very afraid. Flemish choreographer Jan […]
SHE WAS ONE of black America’s iconic figures during the turbulent 1960s. And her songs were grist for the protest mill. But that wasn’t all. You think Nina Simone (1933-2003) – born Eunice Waymon – and you think of the wealth of beauty and subtlety, nuance and fire […]
THERE’S STILL TIME to change your plans today and go and see what is arguably the finest piece of dance that has graced Johannesburg’s stages in a long while. Dark Cell, choreographed by Themba Mbuli and Fana Tshabalala is a contemplation on the horror of political incarceration. Focused […]
WHEN A WORK touches you so deeply that elements in its direction have become part of how you see and speak about the world, you know that something’s been done right. In 2006, James Ngcobo directed the stage version of Es’kia Mphahlele’s tragic and beautiful tale The Suitcase. […]
TAKE AN AUDIENCE of 72. Divide them in two and range them facing one another across the stage. Strip them of their ability to sit in the auditorium because every seat in the space has been marked with the name of a woman, who is both present and […]
BY ALL ACCOUNTS, the idea of Blood Wedding by Lorca conjures up a whole rich and gruesome terrain of achingly beautiful poetry, difficult emotional quandaries and an unrelenting tale of flowers and moons, sacrifice and tradition. It’s not clear why the direction of this production, Raissa Brighi chose […]
ONE THING YOU have to disabuse yourself of when you enter the audience of a Robyn Orlin work is that you’re safe, there in the dark, as you take your seat. That no one will interfere with you or embarrass you. And it’s such a powerful dynamic that it […]
IT’S NOT EVERY day that you’re privileged enough to see a staging of 17th century madrigals with real Baroque instruments played on a major Johannesburg stage. It’s also not every day that you get to see Monteverdi translated into isiZulu in the surtitles, with the timelessness of his tales […]
WHEN 20 YEARS have elapsed after your first experience in the presence of true greatness, you might have forgotten the unequivocal brilliance that a work such as Ubu and the Truth Commission has brought to South African theatre. And indeed, more than 20 years on, the Truth and Reconciliation […]
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