GLOWING, YET UNDERSTATED magic comes of a particular kind of candid, descriptive writing that doesn’t stoop to sensationalism or bald self-promotion. You can find this in George Orwell’s domestic diaries, but you can also find it in Adam Riley’s Birds of South Africa. This current publication offers an […]
THE ABILITY TO cast a beautiful yarn in plain language is a very special skill. It’s about cutting the fat that words can spew if they’re not restrained, as it is about the luxury of being able to form characters with your pen and insights, impeccably. Like writers […]
JUST WHEN YOU may think you in your society are ‘normal’ and above criticism (and better than the previous generation), along comes a work of such great wit and wisdom, tragic nuance and poetry that your values will shift. Even a tad. In three distinct acts, Die Laaste […]
PREMISED IN THE kind of sing-song voice that you might attribute to the retelling of a bible story, The Season of Glass is a fictional vessel for messianic prophecy, focusing on the birth of twins. But it’s not that simple. As you plunge into this complicated tale of […]
ANIMAL FARM. TWO words which conjure up a quirky engagement with political horror, as they refer to one of the more important tracts of contemporary literature. Peter Mammes, in his current exhibition, It’s Already Too Late Once the Soldiers Have Arrived, touches on the kind of wisdom and […]
EVERY SO OFTEN in any artistic community, there’s an upsurge of aesthetic do’s and don’ts. It has as much to do with intellectual fashions of the day as it does with the personalities and egos in the industry. But it gives vent and platform to new voices, headlined […]
A MASH-UP OF ancient storytelling techniques with crude humour and cartoonish action, Chilahaebolae is a curious new work featuring a mix of students and professionals that plummets into the annuls of colonialism through allegory and offers a sinister edge into the price that one pays for creature comforts. It’s […]
From the outset, before this rollicking monster of a production gets into its stride, the presence of the blood-stained wooden gate, the empty rubber boots and the cawing, mooing, snorting and barking in the sound track, lend Neil Coppen’s Animal Farm its inimitable tone. It’s very dark. It’s […]
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