Tag: Braamfontein

And now, for something completely manly

ONCE AGAIN, FEMINISM is de rigueur in our society and young women espousing these values emphatically believe themselves to be the first of their kind, as they spearhead a wave of political correctness in behaviour and talk. But what of the men? Fana Tshabalala throws some choreographic light […]

To brave the elements, unapologetically

THERE’S SOMETHING EMINENTLY satisfying in dividing a work into four disparate parts and premising beauty around it. Vivaldi did it with the four seasons, creating great poetry out of a pure love of the idiosyncrasies of nature. Jayesperi Moopen does something similar in her collaboration of dancers associated […]

Elu’s yizkor

THE CLEAVAGE BETWEEN art and sacred ritual is very ancient. And it’s not often that contemporary art reaches richly and bravely beyond the limitations of what our society thinks art is, or should be.  It’s, after all, dangerous and unmapped terrain. But Steven Cohen, who has never shied […]

How to realise you are beautiful

THERE ARE SO many “wow” moments in the South African stage version of The Color Purple: The Musical, you’ve got to hold onto your seat with both hands. Supported by a set that features diagrammatic representation of space and texture, a cast that sparkles with magnificent voices and […]

Never say quit

IT’S A GENUINE joy to see players and writers, young and frisky, engaging with the challenges that confront their lives in a manner which is loose and fast, hilarious and tight, creative and intelligent all at once. Binnie Christie, Neo Sibiya and Joe Young sparkle in this delightful […]

Kaddish for Elu

SOMETIMES THE RAW howl of loss is the only thing possible. Sometimes it is more potent than any words which are in danger of teetering anywhere near the threat of idle platitude. Sometimes the raw gesture, the unthinkable act of personal anger and sadness in the wake of […]

Knocked out by King Kong

IT WAS THE show that launched the international careers of such performers as Hugh Masekela and Miriam Makeba and the Manhattan Brothers. King Kong. It’s been labelled iconic and groundbreaking, and frissons of its great potency filtered through the ether long before the Fugard Theatre’s season of this […]

Are we home, yet?

<<Warning: This production contains strobe lights and lights focused directly on the audience>> THE TRICK OF writing good material for a stage production is not about packing a story full of so much detail that it develops narrative indigestion, and then focusing interrogation-strong lights on your audience from […]