BOOKS AND THEIR inflammable contents, the perennially absent South African father, and unleashing the wrath of decolonised feminist fury are the issues central to the works staged by Themba Mbuli in Dance Umbrella, earlier this month. Mbuli’s topics are hot and relevant and the presentation is clear and engaging. But it is the work of Thabisa Dinga that ramps up the nerve centre of these pieces with fierce abandon and utter electricity.
A demure young woman, from the outset and outside, Dinga has skills that take you by surprise. She plays traditional African instruments that blend bow-instrument with blown instrument with weapon, as she captures the vortex of the works. Dealing with social issues central to who we are as people in this world, who have a tendency to overlook the values and the spaces of others, Dinga is key to the narrative in Memory Box, opposite Mbuli himself.
In Autho(r)ise, a work pummelled a little by typographical errors in the videoed projection, Dinga is seen in collaboration with Kristen De Kock and Nkemiseng Khena. It is here that fire is evoked with politically sensitive comments, an image that calls to mind South African visual artist Penny Siopis’s well-loved work from 1988, Dora and the Other Woman with the idea of pinning images onto a dress, and the complex life of text in a decolonised environment.
De Kock is another performer who also looks too demure and gentle to manifest the kind of performative fire that she makes, and you sit, transfixed and moved by the whorl of values that these two works present.
Looking at Mbuli’s work you cannot but mourn not only the Dance Umbrella in its current manifestation, but also the fact that the Standard Bank Young Artist Award – which Mbuli won in 2016 for dance – never did boast a travelling platform, as it does for visual arts in this country. It’s an omission that enables fine and feisty choreographers and performers of the ilk of Mbuli, to slip though national cracks.
- Autho(r)ise and Memory Box are choreographed by Themba Mbuli. The former features creative input by Maris Steenkamp (costumes), Meryle Van Noie (composer), Thabisa Dinga (life music), Bamanye Yeko (lighting and technical design) and Christelle Dreyer (video) and is performed by Kristen De Kock, Thabisa Dinga and Nkemiseng Khena. The latter features creative input by Merry K Designs (costume), Thabisa Dinga (live music), Camile – Le fil, Mika Vainio, Alva Noto and Ryuichi (recorded music) and Bamanye Yeko (lighting and technical design), and is performed by Thabisa Dinga and Themba Mbuli. Both works were part of Johannesburg’s Dance Umbrella in its 30th season and performed on March 17 and 18 at the Downstairs Theatre, Wits University. Visit danceforumsouthafrica.co.za or call 086 111 0005.