A PLAY OF binaries and detritus, red wool and solar powered Consol glass, The Year of the Bicycle is a work that begins with the threat of too much whimsy. But then it reaches into the belly of its own sense of momentum and this abstract tale of the […]
AS HE WALKS onstage, you know you are in safe hands, and that the evening will not only be completely impeccable, but that it will take your heart and wring it out in a way that you won’t readily forget. Arguably the single play that defined the Grahamstown […]
Very seldom does a piece of writing have the ability to reach into your heart and soul, not because you are strung along by your own inner realities and there’s a way in which you respond to the story, but because it is conceived and written and created […]
The power of gender as a signifier for being in the world is incontestable. Consider all the transgender debates setting fire to social media and fingering critics as suffering from irretrievable bigotry, when they use the wrong pronoun for a trans individual. The sex of a stranger has […]
With a hefty dollop of Beckett, some irrepressible clowning and a simple bittersweet tale peppered with absurdities, kangaroos and chameleons, not to mention an extraordinary set that comprises the skull of a gnu, a plastic shopping trolley and doodads that will make you laugh and cry, Andrew Buckland […]
With the ringing and tumbling of words and phrases over one another, this portrayal of 23-year-old Rachel Corrie, the young American activist who was killed by an Israeli bulldozer in 2003, while trying to protect a Palestinian family home from destruction, resonates with a resemblance to the Anne […]
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