ARGUABLY THE CENTRAL horror of clash between Serbians and Bosnians in the early 1990s was the conflation of neighbour against neighbour and the ugly brutality which saw women and children mauled in the mix of war that had been a suppurating tribal boil for centuries. Aimée Goldsmith and Lidija […]
THE HORROR OF the sudden loss of a loved one – whether they are taken by death, a kidnapper or an impenetrable illness that robs their existence of reason – is a harsh idea to confront, onstage or off. In I turned away and she was gone, Jennie Reznek […]
PICTURE THE SCENARIO. It’s the mid-1970s in the boroughs of New York City, and white working class teenagers are dancing themselves wild because there’s nothing else to do to keep body and soul together, other than joining the church or getting a low-key boring job. The opening chords […]
THE ‘F’ WORD’S become constrained by frowns and taboos in the last little while, particularly under the rubric of “sugar-free September”, a dietary challenge for the month. In this fast-paced world, where slang is coined overnight and things become offensive with increasing rapidity, you could fall into a trap […]
LOVE, LOSS AND growing old are inescapably part of the human condition. Put these three elements in a children’s cancer ward, and you might expect to yield a narrative which is hackneyed and clichéd. Indeed, you already know how the story ends. But in the loving hands of […]
STEP ASIDE, SOLANGE and Claire. Forget the clichéd sexy French maids’ garb with stockings and suspenders, frilly aprons and cleavage. With domestic servants like Bontle (Dimakatso Motholo) and Flo (Mammatli Thakudi-Nzuza), the strategic and oft sinister plotting between siblings and subservients, coined in Jean Genet’s iconic play The Maids (1947), […]
AS YOU WALK into the gallery space, an aura of stunned silence enfolds you. There’s a single silver gelatin print by Shirin Neshat from her film Roja hanging on the wall before you: A young woman in black stands in front of a huge, vaguely mushroom-shaped building. And it […]
WHICHEVER WAY YOU approach his work, Nataniël is a phenomenon: a very specifically South African phenomenon who approaches the idea of self-love out of the proverbial left field. His shows are unashamedly formulaic in their construction but there’s a magic ingredient to each of them that keeps you focused […]
“I BOUGHT A shirt like this for my son-in-law for seven ront,” she says in a stoutly white South African accent, as she presents a second-hand shirt on a wire hanger, in the shop of Gerald Fitzpatrick House and Nursing Home. The shirt contains a sign that mysteriously says […]
WHEN 20 YEARS have elapsed after your first experience in the presence of true greatness, you might have forgotten the unequivocal brilliance that a work such as Ubu and the Truth Commission has brought to South African theatre. And indeed, more than 20 years on, the Truth and Reconciliation […]
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