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Category: Uncategorized

Theatre to stay home for

“WOLWEDANS IN DIE skemer (the popular afternoon serial by Leon van Nierop) was my programme, as a child,” says Kobus Burger, executive director for drama on Radio Sonder Grense (RSG), South Africa’s Afrikaans-language Public Broadcasting Service, which is under the aegis of the SABC. “If I missed an episode, […]

Nightmare in the Amphitheatre

LET US BOMBARD our audience with flashing lights, a small dark venue simmering with the residue of stage smoke as they come in, and bits and bobs of sampled sound, thrown at them with such aggression that the context is illegible and the synapses of their brains forget […]

Welcome to the scene of the crime

YOU NEED QUITE a tough stomach and heart to sit in the audience of Sello Pesa’s Bag Beatings, a work, which on one level is the most articulate and astute comment, so far, on the imminent demise of Dance Umbrella. It’s an angry work premised on extreme violence, […]

Cacophony of love for Hillbrow

CONTEMPORARY POLISH COMPOSER Krzysztof Penderecki is known for, amongst other things, the bravery – or madness — to allow performers freedom of diverse expression within a defined rubric. So, in works of his which deal with issues such as witch hunts and nuclear bombs, for instance, you get […]

The magnificence of Albert

AS THE SONOROUS chords of Mozart’s Requiem sweep you completely off your feet, expect to have all your senses, including that of expectation, utterly seduced, mashed and repurposed. Albert Silindokuhle Ibokwe Khoza plus Robyn Orlin and Marianne Fassler have created a brand new piece called And so you […]

To brave the elements, unapologetically

THERE’S SOMETHING EMINENTLY satisfying in dividing a work into four disparate parts and premising beauty around it. Vivaldi did it with the four seasons, creating great poetry out of a pure love of the idiosyncrasies of nature. Jayesperi Moopen does something similar in her collaboration of dancers associated […]

Bling, sting and muscling

THERE’S A PARTICULAR kind of aesthetic that is central to what the Dance Umbrella has brought audiences, for the last 30 years. It’s about rough approximations of narrative meaning, beautiful dance in a clearly rehearsed structure, and above all, an earnestness in the work’s aesthetic that lends it […]