IN THE AGONISING moment when Asher Lev’s parents are revealed as utterly out of place in Asher’s world, the tectonic plates of this classic Jewish art story which first saw light of day in 1972, shift. It is a pivot crafted with sheer brilliance that holds this whole […]
SHE LIES UPSIDE down to gather herself amid a beautiful slew of keyboard jazz, before she begins to perform, and half way through this one-hander, you wish you could too. The nastiness of the venue, in the Wits Amphitheatre plays such a prominent role in stultifying this play, […]
THE IRREVOCABLE EMPTINESS of loss is the subject of the video piece and related artists’ books that comprise this intimate and raw, broken yet focused work of Minnette Vári. It’s a lot less abstract than her previous bodies of work and while it is unashamedly personal for Vári, […]
MAKING SENSE OF life, the universe and everything, when you have kicked your sister out of the home for behaviour you’ve deemed debauched, buried your brother due to no fault of yours or his, are so deep in your cups that you cannot tell real life from sinister […]
AS YOU WALK into the theatre for this dance work, there’s a dangerous simmering of possibilities that unsettles you. It has to do with the set, which comprises a mountain of live matches and a lot of inflammable material. You might consider this to be obvious in a […]
THERE’S SOMETHING INESTIMABLY exciting about a new production that is conceived of, written and brought to life by a group of practitioners that is fast becoming recognised as a repertory group in the classical tradition. Why? Simply because you have seen their work in the past, and know […]
YET ANOTHER BRISTLING piece of repartee, rich and seething with the material spewed out by our world, Mike van Graan’s State Fracture is a fitting sequel to his Pay Back the Curry, which graced this theatre at the end of last year. Boasting the same cast and team, […]
SHE ERUPTS ON stage like a splendid volcano of fierceness and vocality, beauty and attitude as she grabs your attention by its proverbial lapels and doesn’t let go, even when she’s not singing. This is Litho Nqai in the role of Musetta, in this production of Gauteng Opera’s […]
IN 2005, PJ Sabbagha put his choreographic name behind a most exceptional project. Still Here was earth shattering in its delicate sense of raw beauty and was important for that reason. But as an advocacy piece engaging with HIV/Aids, it was important for other reasons too. Over the […]
IT’S NOT EVERY day that you discover a blend of the wit and wisdom of a Greek fabulist from antiquity with the dynamics of pop-up book technology, all infused into a South African context. Rat Race takes the fable of the town mouse and the country mouse, originally […]
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