THERE’S SOMETHING EMINENTLY satisfying in dividing a work into four disparate parts and premising beauty around it. Vivaldi did it with the four seasons, creating great poetry out of a pure love of the idiosyncrasies of nature. Jayesperi Moopen does something similar in her collaboration of dancers associated […]
THERE’S A PARTICULAR kind of aesthetic that is central to what the Dance Umbrella has brought audiences, for the last 30 years. It’s about rough approximations of narrative meaning, beautiful dance in a clearly rehearsed structure, and above all, an earnestness in the work’s aesthetic that lends it […]
CAN A SWAN only be white or black? What would the idea of a coloured swan do to the stereotype? There’s something uniquely ephemeral yet potent about Moya Michael. She dances with a sense of rigour and purpose but there’s an ease to her focus, a smile on […]
WHAT ARE FRIENDS for if we cannot lean on them? Brainstorming the notion across a myriad of popular songs, Sometimes I have to lean in … is a sheer gem of a work featuring two dance veterans who do not have dancers’ bodies any longer. It’s a work […]
THE CLEAVAGE BETWEEN art and sacred ritual is very ancient. And it’s not often that contemporary art reaches richly and bravely beyond the limitations of what our society thinks art is, or should be. It’s, after all, dangerous and unmapped terrain. But Steven Cohen, who has never shied […]
THE OPENING NIGHT of Dance Umbrella 2018 was one filled with gasps. Gasps at the formal announcement by its artistic director Georgina Thomson that this, the 30th iteration of the contemporary dance festival was to be its last. And gasps in response to the quality of work curated […]
YOU MIGHT BE forgiven for thinking the Johannesburg Musical Society in association with the Johannesburg International Mozart Festival has somehow managed to bring out Meryl Streep to perform its first concert of the year. You’d be mistaken; Lithuanian pianist Mūza Rubackytė brings not only her classic facial features […]
WHAT IS THE worst thing that can happen to a story about an historical atrocity? That it can be shunned? That it can be told too infrequently? That no one wants to experience it? None of these: the worst thing that can happen to a tale of atrocity […]
ansunecilliers
beckkglass
Chester Miggels
Gillian Rennie
elizhanduvenhage
erinventer02
Geoff Sifrin
godukazinobulali
henricopg
huibrechtdehart
isabeausophiajoubert
jessicajoubert
Kapisha Ramraj
kaylamullerr
matthewvanderwalt
meereieliefde
olgalouiselemmer
Peta Kaplan
Robyn Sassen
shanelschoombee
thembanhlapoart
Willem Pieter
zainabchoonara
Recent Comments