A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. I am currently a Research Associate at Wits University. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
RAISING IS CHILD is a complicated exercise. More so if you’re firmly entrenched in your own sense of how things should be, if you have the old Afrikaner’s perspective on apartheid, hunting and violence as a backdrop and if the ostensible position of everyone in your life seems […]
HE WAS MORE than just a dancer, choreographer and artistic director. Lucky Kele was an interpreter of dance dreams, a man with a real passion for making things happen in the dance fraternity, and for pushing dance boundaries. Known by so many as ‘King’, Kele tragically passed away […]
“THE MOST IMPORTANT thing to remember is to be ready to give up what you are for what you might become”, the timeless words of American civil rights activist WEB du Bois were close to the heart and value system of Shoki Mokgapa. An actress, theatre activist and […]
WHEN YOU FIRST ‘meet’ Busi (Petronella Tshuma), the lead in Jerome Pikwane’s local horror film The Tokoloshe, you are grabbed by her sense of excruciating vulnerability faintly covered with a veneer of bravado. She’s young, she’s desperate and she cannot turn down this security job because she’s really […]
WHEN AN ARTIST – of whatever stripe – steps up to the proverbial mic and loses all sense of the audience in front of her, with just the song on her lips or fingers, something unforgettable happens. Ask any performer – be they a pianist or a drag […]
HE STANDS WITH assumed dignity on a plinth made of a wooden crate. His face is a morass of rough finger-worked texture, his body is constructed along the classic principles of the portrait bust. On his head, there is a stylised fish, or is it a loaf of […]
IAN MCKELLEN TAKES full and unexpurgated possession of all the complexities of a great king ravaged by the suspicion of daughterly disloyalty and onset and brokenness of dementia in this major and magnificent production of arguably Shakespeare’s most important tragedy, King Lear. Indeed, on so many levels, this […]
LOOK WEST OF the heart of the city of Johannesburg and you will find the suburb of Mayfair. Not like the status-driven Mayfair of London or the one in the game of Monopoly, Johannesburg’s Mayfair has historically been a place of complexity, blending rich and poor, community tradition […]
WHEN SOMETHING UNEXPECTED (and unexplained) happens to a stranger in your midst, everyone responds from within their own deep selves, and this week’s riveting Afrikaans-language play by Madelein Volschenk articulates this soundly. Cast against the backdrop of a remote B&B in contemporary South Africa, it bears the characteristics […]
IF A PLAY finds you googling for information, or better still, scrabbling amongst your bookshelves after you’ve seen it, it must have done something right. Congo: The Trial of King Leopold II has a fabulous cast and premises rich with dangerous and interesting promise, that points in the […]
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