A freelance arts writer since 1998, I fell in love with the theatre as a toddler, proved rubbish as a ballerina: my starring role was as Mrs Pussy in Noddy as a seven-year-old, and earned my stripes as an academic in Fine Arts and Art History, in subsequent years. I write for a range of online and print publications, including the Sunday Times, the Mail & Guardian and artslink.co.za and was formerly the arts editor of the SA Jewish Report, a weekly newspaper with which I was associated for 16 years. This blog promises you new stories every week, be they reviews, profiles, news stories or features.
The thrill of being in the presence of fresh young work as it hatches is incomparable. When you sit in the audience of this delightful work, created in entirety by students, you realise the palpable dynamite that there is in this industry, waiting to explode into professional careers. […]
When a theatre production takes on a classic work of prose and gives it new life, the audience is fortunate. When this new life is articulated with such fire and wisdom that the original words of the master are seared with new energy, the audience is privileged. When […]
It’s relatively easy to glamourise the 1950s. The fashions are beautiful and dignified. The architecture is poetic. The times were ripe with sex and possibilities: the world was on its knees after two major wars, and the cultural pendulum was swinging back: anything was possible. Truth be told, […]
There’s a glimmer of brush marks, a frisson of lines drawn and redrawn over one another, a glimpse of rapid yet deep engagement between artist, subject and canvas that you access in being in the presence of this exhibition of close to 40 works – the first solo […]
From the first opening bars of this extraordinarily powerful South African ballet, you get riveted to the score, the choreography and the story, almost exactly in that order, as the monstrous work unfolds. Spartacus of Africa is a mammoth achievement, the likes of which South African audiences don’t […]
In this Hairspray-meets-Faustus 1960s-redolent musical, you get to experience the schlock-horror tradition from which musicals like The Rocky Horror Picture Show were spawned and blending some fabulous rock ‘n’ roll, doowop and Motown moves, Little Shop of Horrors is a hugely palatable production which engages with issues like […]
It requires a particular level of maturity to take a concept and work with it until it reaches a point of abstraction, but a very unique sense of artistic muscle and wisdom that can keep that abstraction relevant to the casual viewer. This is what Mary Wafer achieves […]
The first thing that strikes you when you enter this gallery space is a sense of plenty: artists Audrey Anderson and Ross Passmoor are very different practitioners with distinct visual signatures and skill. They’re young, but their individual approach is established and keenly honed. And while there are […]
Occasionally in life, if you are really lucky, you get to see a work which reaches with delicacy, directness and supreme intelligence into the history of its own technical tradition and pulls out something so fresh and unique that it takes you until you get home to catch […]
Charles Dickens’s Oliver Twist is one of those stories that has been consumed by the children’s theatre industry, thanks in part to the eponymous West End and Broadway musicals of the 1960s featuring glorious songs by Lionel Bart. It’s also been deemed a children’s story because the main […]
Geoff Sifrin
Robyn Sassen
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