On losing the plot and laughing all the way home

PlayWrong

THINGS fall apart: from left, Robert Fridjhon, Sive Gubungxa, Nicole Franco and Russel Savadier. Photograph by Christiaan Kotze.

YOU HAVE AN inkling as to what you can expect by the very name of this production, and you won’t be disappointed: very few things actually go right in this insane little bit of farcical frippery. The sheer skill that goes into clowning at its classically best, is remarkable, and this madcap cast of eight projects the loosely held together tale of a murder performed by an amateur dramatics association. And loosely is truly the operative adjective, when it comes to how the ingenious set itself plays a seminal and pants-wettingly funny role in the shenanigans.

From a dog that is mimed to a clock that doubles as the female lead, the work gets wilder and more insane as it unfolds. Corpses cry out in pain and floors fall. The sequence of lines becomes tumultuous at best, and the chap operating the special effects locates a missing Duran Duran CD amidst dramatic moments on stage. A bunch of keys doubles as a pen, some white spirits insinuates itself into the props in lieu of whisky and a portrait of a spaniel seconds as someone’s dad. In short, everything that can go wrong, does.

Featuring a splendid cast which hone this material and milk it for every laugh in the house, the work is headed by a delightful performance by Russel Savadier as the inspector. And while some of the errors in the splay of values of this work are so wrong that they’re too much – from the mispronunciation of terms by Roberto Pombo’s character to the woodenness of Sive Gubungxa’s character – the laughs will burst from your lips with abandon, and will develop their own momentum.

The danger of a play of its nature, however, is there is a limit to the kind of surprises that you can stomach, and at some moments, your eyes glaze over from too much raucous explosions and it becomes tedious. The crispness of the madness, the bizarreness of the mishaps becomes so great that they actually hurt the play.  If you think back to the inimitable Noises Off, performed a number of years ago in this theatre, there is a level of resonance with this work, but given that amateur is a part of how the work is premised, there’s a tad too much obvious over-acting, which makes the clowning veer a little on the side of crass. Something of Jemma Kahn’s Amateur Hour raises its head in this work.

Having said that, it’s a delicious bit of fun which will leave you still laughing as you drive home: the kind of tonic we all need right now.

  • The Play that Goes Wrong is written by Henry Lewis, Jonathan Sayer and Henry Shields and directed by Alan Committie. It features design by Malcolm Terrey (costumes) and Bronwyn Leigh Gottwald (props co-ordinator) and is performed by Nicole Franco, Robert Fridjhon, Sive Gubangxa, Craig Jackson, Theo Landey, Roberto Pombo, Russel Savadier and Louis Viljoen at the Pieter Toerien Theatre, Montecasino Fourways, until April 30 and at Theatre on the Bay in Cape Town from May 3 until June 17. Call 011 511-1988 or visit pietertoerien.co.za
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