‘Bitter Winter’ happens in a waiting room. It’s about apartheid and the shifting of the world from analogue to digital. It’s about how tightly one holds onto one’s embarrassing and life-forming secrets as it is about being in the same proverbial boat as another actor, regardless of age or experience.
IF YOU TAKE a slice out of the formalities of matchmaking and weddings from Fiddler on the Roof, and slot it in alongside some of the more potent scenes involving the beautiful widow in Nikos Kazantzakis’s Zorba the Greek, sprinkle the concoction rather heavily with romanticised farmgirl wholesomeness, […]
IT WAS THE late Alan Crump, Chairman of the National Festival of the Arts in Grahamstown, during the 1990s, who used to quip about the so-called “blue rinse and boiling sweet brigade”, who the festival organisers had to take seriously because they represented a money backbone of the […]
WHAT WOULD YOU give to keep the dignity of your child intact? This is one of the central premises to Levan Koguashvili’s magnificent film Brighton 4th, a tale woven through the vagaries and indignities of immigrant culture, the unrelenting potency of gambling debt and the chequered messiness of […]
AS THIS FILM begins to unfurl, there are moments, from a cinematographic perspective that will leave you with your mouth hanging open. Devastatingly beautiful washes of colour and light conveying men on horses and a community broken by discontent permeate this work like swathes of poetry. This film, […]
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