In Mike van Graan’s ‘The Good White’, the pieces are all in place for an explosive denouement. Add a bit of protest performance, the demon of gender-based violence, and some shenanigans in the wrong bedroom, and you get the picture: It’s a scenario tense with energy and brittle with distrust.
Taking you unflinchingly to the bedside of his elderly mother, flailing with dementia but sometimes starkly spot on in her lucidity, Peter Godwin’s memoir, ‘Exit Wounds’ laced with alliteration vigorously contemplates the complex texture of the life of a Zimbabwean-born war correspondent, with British ties who currently calls America home.
THE DIRTY IDEOLOGY of apartheid was enforced on many levels. It saw the ignominious burial of grotesque secrets. Some more deeply than others. Indeed some of those secrets were never sufficiently exhumed for general access, not at the time, not during the Truth and Reconciliation Commission and not […]
Whoever you are, by virtue of the fact that you exist, you have a father. He might not have raised you. He might not be alive any longer. He might have been the source of sadness or horror, happiness or love. This is not one father we see […]
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