It is here where the dead rise palpably and in beautiful costumes and choreography, to jiggle their bones and have discourse with those who mourn them. Frida takes the whole of the first act to be convinced to visit her Diego, who wasn’t all that gentle while she was alive.
Based on a snippet from the New Testament, involving the relationship between Herod’s step-daughter and the powers that be, Salome features Yochanaan (John the Baptist), played by Peter Mattei in excruciating scenes touching on cruelty and madness, with a touch of necrophilia and nuances of child sexuality in the mix.
When Cavaradossi (Freddie de Tommaso), having been tortured emerges full of love for Tosca, his aria ‘E lucevan de stelle’, a declaration of his undying belief in her, will melt you. You know this song even if you don’t. And what De Tommaso does with it, will may you cry.
‘Grounded’ is a knock-out of a work featuring the magnificent Canadian mezzo soprano Emily d’Angelo, that offers a take on female identity in the man’s world of war and aggression. It breaks fresh ground with contemporary technology and will blow your mind with its take on moral trauma and complexity.
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