IN 2005, PJ Sabbagha put his choreographic name behind a most exceptional project. Still Here was earth shattering in its delicate sense of raw beauty and was important for that reason. But as an advocacy piece engaging with HIV/Aids, it was important for other reasons too. Over the […]
IT’S NOT EVERY day that you discover a blend of the wit and wisdom of a Greek fabulist from antiquity with the dynamics of pop-up book technology, all infused into a South African context. Rat Race takes the fable of the town mouse and the country mouse, originally […]
A FABULOUS NEW element to the Wits 969 offering is a slot for children’s theatre, and this year, the festival pickings, hot off the Grahamstown circuit, features no less than three productions suitable for the next generation of theatre patrons. Space Rocks is a kaleidoscope of fact, fiction, […]
HEADLINED BY INTERNATIONALLY celebrated works, the new solo pieces on Wits 969’s mixed dance bill were overshadowed, but it was fantastic to see Moving Into Dance Mophatong (MIDM) on the Wits festival’s agenda and platform. The programme comprised Oscar Buthelezi’s celebrated Road, a two-hander with Muzi Shili, which recently […]
DO YOU REMEMBER casting shadows of animals made of your own little fingers and hands, on the wall, when you were a small child? The thrill of that level of interpretative magic which makes something unexpected happen in the context of ordinariness is something we as human beings should […]
FORTY YEARS AGO the Market Theatre was established in Johannesburg. It was the same year as the Soweto Uprising. South Africa was suppurating in a mire of apartheid, to the backdrop of sanctions, disinvestment and states of emergency. Terrible people were doing terrible things. This period was the incubator […]
THE FRISSON OF excitement at the start of a new play is in the air. The audience is exuberant but alert, as soon as the lights drop, silence prevails. And focus. The play begins. He walks on stage. And out of his mouth sprout words I do not understand. […]
HOW DO YOU represent sexual violence on stage? It cannot be sexy. It cannot be comical. It cannot be beautiful. It cannot be explicit. It also cannot be abstract. Your audience has to go away from the spectacle shattered with an understanding of the horror, the irrevocable violation that […]
There’s an element of such blatant lasciviousness in the framework, articulation and texture of Jemma Kahn’s new kamishibai-redolent production that you have to laugh. Sex, like death onstage, needs to be handled with a level of spoof that expunges earnest urgency and enables it to entertain without sliding […]
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