Through seducing you into engaging with it, the exhibition places you in dialogue with its artworks. It constantly asks you, “What do you think?” There is an ever-present spirit of collaboration between curator and visitor, inside and outside, space and body, prompting new relationships of meaning to form, again, again.
With her impish gap-toothed grin and her sprite-like existence onstage and in the interstices of the stories she told, fearless and impetuous dancer and choreographer Dada Masilo leaves a brilliant legacy that radically shifted an understanding of what dance from South Africa can and should be, anywhere in the world.
The Motive and the Cue is as much about the hierarchy and debauched embarrassing nature of theatremakers, who feed off one another’s intimacies as it is about the greatness they can produce when under the spotlight and in the spell of the work itself. Beautifully staged, it is a treat.
THE DIRTY IDEOLOGY of apartheid was enforced on many levels. It saw the ignominious burial of grotesque secrets. Some more deeply than others. Indeed some of those secrets were never sufficiently exhumed for general access, not at the time, not during the Truth and Reconciliation Commission and not […]
THE IDEA OF writing a conventional tribute to Linda Givon, the founder of the Goodman Gallery, who died suddenly on 5 October 2020, at 84, seems trite. This is because she was much more than the pedestrian sum of her parts. She was born, educated, married, divorced, widowed. […]
IT IS A great rarity for a theatrical work to be able to touch the nub of a complex issue that bruises a society, with potency, conviction and directness. It is even a greater rarity when the work in question is the product of unseasoned performers. And while […]
SACREDNESS IN AN object comes in many iterations, many of which can be completely unexpected. When you visit Charmaine Haines’s exhibition at the Kim Sacks Gallery, you will be accosted with a sense of the sacred that is joyful and full of levity, bold and clear, but unequivocally […]
REPLETE WITH ITS jazz dives, camaraderie and poetry, its dinginess, brothels and gangs Sophiatown aka Kofifi was a suburb in Johannesburg that was an apartheid loophole until 1955. It was the one place in which black people could live in relative harmony with people of all colours, free […]
EVEN BEFORE YOU enter the space of Toni-Ann Ballenden’s show City of Gold: Cash for Scrap, in Gallery 2, you’re beset with a sense of playfulness that underpins an earnest idea of a plotted cityscape. There is an installation called Folly in the gallery’s window that speaks of […]
DO YOU REMEMBER atlases and the unfathomability of the fold up road map? In the pre-GPS days of our world and our sense of geography, the atlas was a subtle and beautiful reminder of how small we are on this planet. Without all the loudness of internet-based hyperbole […]
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