The chorus of ‘The Portrait of Dorian Gray’ wins the day. It articulates just the right level of shrieking witch howls to keep the work ticking over and yet off-key. The texture of their presence evokes the disparity created by Polish composer Krzysztof Penderecki in his avant-garde contemplations of horror.
IT ALL BEGINS with a bit of masked and gloved mystique that gets even the littlest of littlies focused on the stage. That is the kind of magical lure you will experience in this version of Alice in Wonderland, that graces the stage this season. And it’s a […]
CHILDREN’S THEATRE REVIEW: ALICE IN WONDERLAND. TAKING A HEAVILY-detailed Victorian foray into a world conditioned by what we would in today’s times call surreal and packing it into one hour for a predominantly contemporary childcentric audience, is one challenge. Arranging it for a cast of but four performers […]
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