CENTURIES OF ITALIAN vendetta and the true story of Tommaso Buscetta, a lynchpin of the Sicilian mafia, who famously called upon the law in his bid to turn informant, falls under the loupe of director Marco Bellocchio’s The Traitor. This is a work nothing short of brilliant. It […]
THEATRE REVIEW: BRETT BAILEY’S MACBETH. YOU MAY HAVE seen many productions of the Bard’s most violent tale of the catastrophe and tragedy of unbridled ambition, in your personal theatre-watching history. You may even feel a little blasé about the head counts and the blood spilled in this story. […]
PROACTIVE IN THE complex task of making the field of opera possible and attractive as a profession for coloured South Africans, tenor and professor of singing Sidwill Hartman once told the media that his most coveted role was that of the gutsy Pollione in Bellini’s Norma. The tradition-contravening […]
A TALE OF politics and love, betrayal and death, Verdi’s opera Aïda, composed in 1870, is arguably one of the opera genre’s most known works. Indeed, it’s probably the repository for the most famous ensembles, tunes that you can whistle on your way to the theatre in […]
Abstract painting may be seen to have had its day, in the avant-garde 1940s and 1950s in the West, when painters of the ilk of Mark Rothko, Jackson Pollock and Barnett Newman, to name but a few, were in their heyday, cocking snooks at the notion of literal […]
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