SHE SAID, HE said and the vulnerable young woman servant without a voice hasn’t a chance in a context where she can be labelled one thing and hung for it. Push anyone far and ruthlessly enough with the threat of their worst fears at the price of their […]
STAND BACK FROM Agnieszka Holland’s film Charlatan, loosely based on the life of herbalist Jan Mikolášek (1889-1973) and the grand impression that it leaves sits like lead on your chest. Not that this is a bad – or inaccurate – thing. This intense portrait of, in large part, […]
RADIO DRAMA REVIEW: DIE NAG VAN LEGIO. WHEN YOU GET so immersed into a radio play that you feel at once transfixed and terrified to your very core, you know that you are in the presence of real greatness — from the perspectives of writing, directing and performing. […]
REVIEW: AFRIKAANS RADIO DRAMA: DIE HEKS THE 15TH CENTURY and its misogyny in Europe is legend. Iconic Afrikaans writer C Louis Leipoldt takes on the mantle worn by Umberto Eco, John Whiting and Arthur Miller in their contemplation of the phenomenon of witch burning, in a magnificent piece […]
JUST WHEN YOU think your hero has met the greatest challenge he’s capable of weathering, he pops to the surface to return victorious again, all cleaned up with the scars on the inside. This is the message prominent in Michael Moer’s reworking and direction of Papillon for 2018 […]
AS YOU OPEN the first page of A Several Plot, and step into the whirligig of 16th century European society, with all its costumes and class structure, its hierarchies and ravaging illnesses, so may you be forgiven for feeling as though you’re no longer of the 21st century. […]
ARGENTINE WRITER JORGE Luis Borges (1899-1986) did it. Italian philosopher Umberto Eco (1932-2016) did it. And now, there’s South African philosopher Leonhard Praeg with his debut novel weaving together a tale of self-reflection and intrigue; philosophy, politics and coincidence, to say nothing of love and tragedy in a […]
What would you do if you suspected something appalling was happening in your midst, where an innocent child’s well-being was at stake, and the issue was a disaster you think you might have the power to avert? This is the kind of dilemma embraced in James Cuningham’s stage […]
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