STRIP THINGS DOWN to their bare basics. What do you really need to make a production that sings while it reaches boldly into the interstices of everyone’s heart? The Old and the Beautiful with Tony Bentel and Fiona Ramsay is a show that has seen many summers and […]
IF YOU SEE one show this festival – or maybe this lifetime – do whatever is necessary to get to see Firefly. In the tight and clear but unabashedly mad ethos that Sylvaine Strike opposite Andrew Buckland represent, this play touches on the big questions of life in […]
IN THIS WORLD, where there is a growing pall of homophobic legislation in a whole clutch of countries, it is a breath of fresh air to see drag pushed all the way out in the spotlight. New York-based Men in Tutus brings some frissons of lewdness, a healthy […]
THEY TEETER INTO the theatre on high heels, with grotesque wigs askew and sparkly gloves, reeking of the kind of skanky, grubby ethos that defined 1980s Hillbrow or 1990s Troyeville in a very typically South African context. This is the cast of the first half of Heaven is […]
LIKE BEETHOVEN’S FIFTH Symphony or Van Gogh’s ear, Tchaikovsky’s Swan Lake has become iconic in a very broad understanding of what western culture is. Go to anyone in the street and competently whistle the tune of the Song of the Cygnets and they will know what you’re on […]
THE HORROR OF hatred within a community comes firmly under the loupe in this important play, which boldly explores the underbelly and the universality of pain within a culture. Hallelujah! intertwines religious values with social bias, poetry with music and young voices with veteran ones. In short, it […]
THE YEAR’S BEEN grim, callous and ugly to most of us. We’ve lost people we’ve loved. And jobs we’ve relied on. War’s been apparent all over the place. As has disappointment in those who lead us. What better way to herald its closure than to indulge in easily […]
Picture the scenario: the scene is cast, with a fabulous director, a seasoned duo of performers and a tuned piano. Chairs are placed, the tone is set. And then the power goes down. “It’s scheduled!” yell some. “It’s not!” yell others. But still, it’s dark as pitch, and […]
Even before the lights go down, in anticipation of the start of this, the 21st season of Doo Bee Boobies, Eartha Kitt’s 1953 number I want to be evil filters through the bordello-like redness of the theatre, lending a lush and earnestly hilarious tone to something so extraordinary, […]
If you need a bit of a tonic to set you on your feet again, Gross Indecency might be just the thing. It’s loud, it’s crude and it wields a strong and hilarious attack on the stupidity of homophobic bigots. Featuring Robert Whitehead – aka Barker Haines in […]
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